Although art may be generated by loneliness, writes Laing in this illuminating, enriching book, it has a significant...
A British journalist and cultural critic investigates how loneliness shapes art.
When she first came to Manhattan, in her 30s, Laing (The Trip to Echo Spring: On Writers and Drinking, 2013, etc.) found her loneliness intensified by living in the city, surrounded by millions of people. Loneliness, writes the author in this absorbing melding of memoir, biography, art essay, and philosophical meditation, “doesn’t necessarily require physical solitude, but rather an absence or paucity of connection, closeness, kinship: an inability, for one reason or another, to find as much intimacy as is desired.” Her own inability to connect was caused partly by her “anxieties around appearance, about being found insufficiently desirable,” and her discomfort with “the gender box to which I’d been assigned.” Laing’s mother had been a closeted gay woman until she was outed in the 1980s; her mother’s partner was an alcoholic; and Laing grew up witnessing “chaotic and frightening scenes” and “coping with a simmering sense of fear and rage.” The artists she features emerged from their own sources of pain, which fueled both a sense of isolation and a “hypervigilance for social threat,” which causes the lonely person to grow increasingly “suspicious and withdrawn.” Drawing on biographies, interviews, oral histories, and archival material, Laing sensitively explores the lives and works of artists such as Edward Hopper, Andy Warhol, Valerie Solanas, David Wojnarowicz, Henry Darger, and Klaus Nomi. Hopper’s urban scenes, writes Laing, evoke “the way a feeling of separation, of being walled off or penned in, combines with a sense of near-unbearable exposure.” Wojnarowicz’s paintings, installations, photography, films, and performances focus “on how an individual can survive within an antagonistic society.” Outsider artist Darger, a Chicago janitor, produced over 300 paintings, many disturbingly violent. His art “served as lightning rods for other people’s fears and fantasies about isolation, its potentially pathological aspect.”
Although art may be generated by loneliness, writes Laing in this illuminating, enriching book, it has a significant “capacity to create intimacy.”Pub Date: March 1, 2016
ISBN: 978-1-250-03957-6
Page Count: 336
Publisher: Picador
Review Posted Online: Feb. 2, 2016
Kirkus Reviews Issue: Feb. 15, 2016
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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