Next book

ME AND ANNIE MCPHEE

There’s not much new under the sun, or in the sea, but a bouncy rhythm—and full-on shouted conclusion—can’t be beat.

Two curious monkeys think they are alone on an island in the middle of the sea.

The narrating monkey stares through a pair of binoculars and begins the repeating refrain: “In the middle of the sea, / as far as the eye could see, / there was nothing to see / but sea.” Quite full for a deserted spot, the tiny island the monkeys are stranded on has a volcano, a cave, boulders, and three coconut trees. With each page turn, however, animals start to emerge from the crevasses, so the narrator needs to adjust the ever expanding, cumulative verse. Suddenly there are also “two wee dogs who thought they were frogs” and “three perky pigs all wearing wigs.” From one to 10, more and more animals come, painted with exuberant anthropomorphism by Hillenbrand (the punk-tressed pigs in grass skirts are a special treat). He plants cues in his mottled, digital spreads to help observant readers predict what creature may come next. Annie McPhee (the narrator’s original monkey pal) grows increasingly worried as the crowd expands. By the time “ten rascally rats skipping in hats” come prancing by, poor Annie McPhee has had enough. A certain spout on the cover (and dedication page) hints at the monkeys’ escape plan.

There’s not much new under the sun, or in the sea, but a bouncy rhythm—and full-on shouted conclusion—can’t be beat. (Picture book. 3-6)

Pub Date: June 14, 2016

ISBN: 978-0-399-16808-6

Page Count: 32

Publisher: Philomel

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

Awards & Accolades

Likes

  • Readers Vote
  • 12


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

Awards & Accolades

Likes

  • Readers Vote
  • 12


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

Next book

HEY, DUCK!

A sweet, tender and charming experience to read aloud or together.

A clueless duckling tries to make a new friend.

He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts.  When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.

A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)

Pub Date: Jan. 22, 2013

ISBN: 978-0-375-86990-7

Page Count: 40

Publisher: Random House

Review Posted Online: Nov. 13, 2012

Kirkus Reviews Issue: Dec. 1, 2012

Close Quickview