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LOUIS I, KING OF THE SHEEP

It’s a political education—Schoolyard Politics 101—in a picture book, one well worth having on the bookshelf.

“And so it was one windy day that Louis the sheep thereby became Louis I, king of the sheep.” And, Kurt Vonnegut would add, so it goes.

Louis is out grazing when a crown blows his way. He tries it on. Voilà, Louis I. Soon, Louis I needs a scepter and a throne. He is ambitious: his court will become home to the most distinguished artists; ambassadors from the anteater, raccoon, and penguin kingdoms will all pay their respects. This leads to megalomania: he banishes the sheep that don’t resemble him to a distant pasture. But—the wind blows once more, taking the crown with it. Power comes, power goes; at least Louis gets to keep his head. (Maybe; the crown lands at the feet of a wolf. He tries it on.) Tallec’s book is sophisticated, but it also approaches the subject, visually and textually, from a kid’s-eye view. The colors (cadmium red, indigo, pinks shading to purples) beguile, and the imagery runs from fairly goofy-looking sheep to the royal luxury of an ermine stole to spooky trees that play with light and dark. Tallec leaves it up to readers to decide how much of Louis’ power trip is imaginary, giving them plenty of details to pore over while they muse.

It’s a political education—Schoolyard Politics 101—in a picture book, one well worth having on the bookshelf. (Picture book. 4-8)

Pub Date: Sept. 22, 2015

ISBN: 978-1-59270-185-8

Page Count: 40

Publisher: Enchanted Lion Books

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

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HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TROUBLE WITH CHILDREN (ACCORDING TO DOG)

This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.

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In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.

“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.

This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.

Pub Date: July 16, 2024

ISBN: 9781736267370

Page Count: 40

Publisher: A Little Offbeat Publishing

Review Posted Online: April 26, 2024

Kirkus Reviews Issue: June 15, 2024

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