A strong quest tale encouraging imagination, movement, and hard work.
This 16th installment of Once Upon a Dance’s children’s book series presents a birthday story about the value of a journey.
A White child named Frankie who lives on Anorac Island is excited about a birthday tradition. Birthday kids on Anorac can travel to a nearby island to make a wish on a magical blue feather. Frankie intends to wish to become a famous dancer. After some advice from Auntie Duke to “use your mind, body, and imagination as you wander in the wonder”; ask for help when needed; and be open-minded, Frankie heads off. In the forest, Frankie meets a talking eagle, flowers that deliver a mysterious message, a riddle-telling Tyrannosaurus rex, and a gorilla swinging from vines, all of whom help the youngster along the path. When Frankie arrives at the goal, the child realizes that wishing to be a famous dancer would mean skipping out on the journey—and the odyssey through the forest was what made the day fun. As with previous books in the series, each two-page spread features a large illustration, prose that tells the story, and a section where White ballerina Konora (her stage name) leads young readers and dancers through retelling the tale with their bodies. Most of the movements in this story are accessible, with only one challenging pose (a bridge—to mimic the archway entrance to the magical forest), which Konora guides readers through in steps. Advanced dancers can add their own, more challenging spins to the recommended movements, but beginning performers and preschool listeners may choose to stick with the descriptions, using their imaginations to act out Frankie’s adventures. Though geared toward a younger audience, some complex vocabulary words (overwhelmed, frolicked) make this a better choice for classroom reading aloud and perusing by solid independent readers. Rumińska’s digital paintings depicting Frankie are brightly colored, as opposed to the high-contrast, uncredited photographs of Konora, who wears a black leotard and leggings and moves against a white background. Both the prose and the pictures deftly avoid identifying Frankie’s gender. No pronouns are used in the text, and Frankie’s bushy, short red hair; freckles; and shorts and T-shirt give no gender cues, reinforcing that dancing is for everyone.
A strong quest tale encouraging imagination, movement, and hard work.Pub Date: Aug. 12, 2022
ISBN: 9781955555548
Page Count: 43
Publisher: Once Upon A Dance
Review Posted Online: Nov. 16, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
