A caustic, mordant depiction of the war in Ukraine with a true underdog as hero.
A courier’s risky mission to steal a package from an oligarch leads him back to his native Ukraine in Stelmach’s novel.
Though his origin story is a remarkable one, involving a rather notorious place in Ukraine, Adam lives in New York, working as something like a courier. His uncle Victor persuades him to deliver a package to Warsaw. First, though, he has to steal the package out of an oligarch’s safe in Switzerland. The job pays $500,000, but Adam has some reservations: He doesn’t work east of Poland or in countries with a dictator or without a McDonald’s. On the other hand, the money will move him closer to financial security and an imagined perfect life. (“To hell and back for an apartment in Florence.”) In Switzerland, he secures the package, but not before his Chernobyl-bred superhuman power becomes apparent: He can grab people and experience their memories. He uses this to his advantage, but a problem arises when a woman, masquerading as his ex, steals the package. He heads to Poland in search of her but, inevitably, ends up in war-torn Ukraine. Masquerading as a German, Adam relentlessly pursues the package, hoping against hope it might help end the brutal conflict. Fans of Stelmach’s earlier novels, particularly The Boy from Reactor 4 (2011), will recognize Adam, the radiation-scarred Ukrainian who is now a death-defying courier. In a compelling story that manages to blend spy and caper scenes with wartime atrocities and even some dark humor, the author is unafraid to confront the more unpleasant side of humanity and its subsequent body count. The action is fast-paced and the story doesn’t linger in one place too long. Stelmach’s impressive ability to get inside the heads of his characters to reveal their secrets, their memories, and their motivations gives unique insight into both the narrative and the war.
A caustic, mordant depiction of the war in Ukraine with a true underdog as hero.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Jan. 22, 2025
Kirkus Reviews Issue: March 15, 2025
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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