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EMERALD ROAD

An uneven but entertaining story of war and exile, its shaggy-dog whimsy redeemed by strong writing.

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A young gay man and his faithful dog weather harrowing violence in El Salvador and a long trek to America in Ortega-Medina’s hallucinatory novel.

Isaac Perez, a teenager living San Salvador in 1978, dreams of becoming an astronaut. Isaac starts an affair with Gerónimo, a handsome, politically engaged altar boy, but his deepest bond is with Ahbhu, an injured Australian Cattle Dog pup that he nurses back to health. The promiscuous Gerónimo never fully requites Isaac’s love, but Ahbhu is supremely faithful to him; indeed, their communion is so intense that Ahbhu is able to hold telepathic conversations with Isaac. This comes in handy as El Salvador’s civil war, pitting left-wing guerillas against the army and right-wing death squads, escalates in the 1980s. When a bus carrying Isaac and a group of left-wing activists is stopped by soldiers, Ahbhu guides him to safety­ as a massacre begins in which Isaac’s brother Arturo is killed. Framed for the murder of a soldier, Isaac flees north toward the United States, assisted by Suchi, a no-nonsense lesbian who belongs to an underground railroad for migrating gay people. In Mexico City, Isaac meets dreamboat Diego and his father, Don Federico, an indigenous seer who can also converse with Ahbhu. This magical-realist yarn suffers from weak main characters: Ahbhu is heroic but one-dimensional, and Isaac comes off as passive; he’s dependent on everyone and his dog to steer him. Fortunately, the supporting characters are vibrant and sharply etched—the hard-bitten Suchi flintily surmounts all challenges but is helpless prey to a leggy con woman—and Ortega-Medina’s prose is evocative and punchy (“Before we had even a chance to react, Cano dragged the driver off the bus, shoved him onto the ground, and put a bullet in his head, the sound of the single gunshot ricocheting off the hills”). The fantasy elements are a bit goofy, but the storytelling is vigorous and gripping.

An uneven but entertaining story of war and exile, its shaggy-dog whimsy redeemed by strong writing.

Pub Date: Jan. 14, 2025

ISBN: 9781612943022

Page Count: 300

Publisher: Amble Press

Review Posted Online: Oct. 30, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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