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WHO IS LOU SCIORTINO?

A hip and funny take on mob warfare, with very little gusto lost in translation.

Who’s the boss? That’s the real question as two generations of Mafiosi tangle in Sicily.

Sicilian journalist Cappellani’s peppery debut brings a distinctively Italian perspective to bear on his tale of goombahs and compare. The eponymous hero, hot-tempered grandson and namesake of Brooklyn-born Don Lou, mostly serves to provide entry to a rogue’s gallery of other mobsters, all with their own tics and eccentricities. Young Lou is introduced in a stylish second-person narration that envelops the multifaceted plot like an onionskin. His farcical adventure unfolds at breakneck pace via negotiations and missteps in the back rooms and bar rooms of Sicily and New York. Don Lou is happy to have his grandson quietly laundering money by making exploitation films like Plastic Love for his front, Starship Pictures, until a bomb explodes in the screenwriting department. The old man decides to protect Lou by sending him to Sicily, where local chieftains recruit him to fix the problematic murder of a police sergeant in Catania. Lou is caught between the machinations of old-school killers like Don “Uncle Sal” Scali, and the ambitions of up-and-coming eurotrash like Armani-decked musician Nick Palumbo and Sal’s nephew Tony, a none-too-bright clotheshorse whose greatest joy is his garish hair salon. Cappellani references the Mafia canon with abandon, including direct allusions to The Godfather, The Sopranos and, of course, Martin Scorsese films. But he also brings a zesty postmodern attitude to his contemporary bloodbath, punctuating scenes of cinematic violence with staccato conversations laced enthusiastically with profane outbursts in three languages. By the time Don Lou comes calling, the escalating mayhem has killers quoting Hobbes: “Homo homini lupus. In other words, if we can’t get along, we cut each other’s throats!”

A hip and funny take on mob warfare, with very little gusto lost in translation.

Pub Date: May 1, 2007

ISBN: 978-0-374-28981-2

Page Count: 240

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2007

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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