GOLDEN AGE DETECTIVE STORIES

Think the English have a monopoly on the classic, fair-play detective stories that flourished between the two world wars? Think again, says this lineup of 14 all-American reprints dating from 1925 to 1955.

The keynotes here are variety and consistency. There are classics like Ellery Queen’s brainy “The Adventure of the African Traveler” and rediscoveries like “Postiche,” by Mignon G. Eberhart, whom editor Penzler aptly describes as the Mary Higgins Clark of her day. Fans of Erle Stanley Gardner’s Perry Mason and Anthony Boucher’s Sister Ursula will find the sleuths in the rare short stories “The Case of the Crimson Kiss” and “The Stripper.” Pamela and Jerry North meet murder at a class reunion in Frances and Richard Lockridge’s “There’s Death for Remembrance,” and the Great Merlini solves a locked-room murder in Clayton Rawson’s “From Another World.” H.F. Heard’s “The Enchanted Garden” is a floridly written Sherlock-ian pastiche about the mysterious Mr. Mycroft; Chicago lawyer John J. Malone talks a suicidal woman off a ledge and solves her actress mother’s apparent suicide in the pungent “Goodbye, Goodbye!” Neighbors come together to help solve the case of a poisoned dog in Charlotte Armstrong’s “The Enemy”; a much wealthier dog narrowly escapes a second poisoning in Patrick Quentin’s “Puzzle for Poppy.” The principals in Baynard Kendrick’s “5-4=Murderer” draw no closer together than you’d expect people at a truck stop to do; the family home in Mary Roberts Rinehart’s “Locked Doors” might as well be a prison. In the longest story, Cornell Woolrich’s house detective investigates a series of fatal leaps years apart from a single hotel window in “The Mystery in Room 913.” The only serious disappointment is the absence of John Dickson Carr and Rex Stout.

So much for variety. What’s consistent is the quality, which is exemplary.