One wishes for a slightly—ahem—tastier and less flabby gathering. But if zombies are your cup of meat, this is just the...
“They sat like people asleep with their eyes open, staring, but seeing nothing.” A Tea Party rally? No, no: A clutch of zombies, the stars of Penzler’s (The Vampire Archives, 2009, etc.) latest mega-anthology.
Zombies are the latest big thing, of course, at least in filmdom. But whereas the zombies of the movies now move quickly, eat all body parts indiscriminately and explode very nicely, the zombies of literature (pulp, mostly) are a slower and ever so slightly more stately bunch of ghouls. Consider Penzler’s starting point, a story from 1929 called “Dead Men Working in the Cane Fields,” in which you’d have to look very hard to see that those unseeing, eyes-wide-open folks were truly the walking undead and not, in fact, merely suffering from a bad hangover after one too many mojitos. Many of Penzler’s selections are variations on a very limited theme: A traveler to some torrid country down Caribbean way finds, to his or her horror, that the locals are creepy-crawly types, “grayed to the hue of putrescent bone,” as writes one Arthur Leo Zagat—whether a forerunner of the restaurant guides, alas, we do not know, though the author of that starting-point tale did, Penzler delights in telling us, indulge in cannibalism. Some of Penzler’s choices are arguable: Sure, Guy De Maupassant’s story “Was It a Dream?” sports a mention of a poor schmo walking “with extended arms, knocking against the tombs,” but it’s a stretch, probably, to include it in the canon of zombie lit. Inarguably zombielicious, though, are Karen Haber’s latter-day tale “Red Angels,” with its sly good humor (“The best artist in Haiti is some sort of undead thing that just drools and paints”), Harlan Ellison and Robert Silverberg’s very strange short story “The Song the Zombie Sang,” and H.P. Lovecraft’s spooky (natch) confection “Herbert West—Reanimator.” On the down side, Penzler does not satisfactorily explain his criteria for inclusion, and there are a couple of iffy picks, including the endless “Z is for Zombie”; his introduction is glancing, and some fine recent tales (notably Max Brooks’ World War Z) go unnoticed.
One wishes for a slightly—ahem—tastier and less flabby gathering. But if zombies are your cup of meat, this is just the thing.Pub Date: Sept. 20, 2011
ISBN: 978-0-307-74089-2
Page Count: 827
Publisher: Vintage
Review Posted Online: Aug. 1, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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