Even your most extravagant speculations about what’s really going on with these wildly contrasting yet oddly simpatico...
From the hospital rooms and living spaces of Lagos, Nigeria, comes a dryly funny and wickedly crafty exercise in psychological suspense.
Introverted, sensitive Korede is a nurse, a very good one from what we see of her at work. She feels such a connection with her patients that she finds herself taking a coma victim named Muhtar into her confidence. There’s one secret in particular that pours out of Korede like scalding liquid: Her flamboyantly beautiful younger sister, Ayoola, has this habit of killing the men she dates. (Three, so far.) She hasn’t been caught yet because Korede cleans up after her. They both disposed of the most recent victim, a poet named Femi, so efficiently that nobody in his family or with the police know his whereabouts. So that, as Korede is concerned, is that; except there’s this single good-looking doctor named Tade at the hospital where she works who has his eye on Ayoola—even though Korede has tried her best to win Tade’s attention. Now she tries to warn Tade that her sister’s relationships “tend to end, badly." His response: “Oh…guys can be jerks.” (Yes, they certainly can.) As Tade and Ayoola begin their romance, Korede’s the one who has to answer questions about Femi’s disappearance, and, seemingly out of nowhere, Ayoola acquires yet another suitor named Gboyega, prompting both Korede and the reader to wonder which of these unwary gentlemen Ayoola will favor and what will happen to him. Generations of gothic mystery aficionados have attended these uneasy and insidious events before. But besides the setting, what makes Braithwaite’s first novel stand out from others in this genre is the unobtrusively sly approach she takes to the conventions of “black widow” storytelling and the appealing deadpan voice of the jittery yet world-weary Korede. Along the way, there are scattered glimpses of life in Lagos, most acidly when Korede deals with the routine corruption involved in a traffic stop.
Even your most extravagant speculations about what’s really going on with these wildly contrasting yet oddly simpatico siblings will be trumped in this skillful, sardonic debut.Pub Date: Nov. 20, 2018
ISBN: 978-0-385-54423-8
Page Count: 240
Publisher: Doubleday
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
PERSPECTIVES
PERSPECTIVES
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."
Back to St. John with the Steele family, whose tragic loss and horrifying discovery have yielded an exciting new life.
In Winter in Paradise (2018), Hilderbrand introduced Midwestern magazine editor Irene Steele and her adult sons, Baker and Cash, then swept them off to the island of St. John after paterfamilias Russell Steele was killed in a helicopter crash with his secret mistress, leaving a preteen love child and a spectacular villa. While the first volume left a lot up in the air about Russell’s dubious business dealings and the manner of his death, this installment fills in many of the blanks. All three Steeles made new friends during their unexpected visit to the island in January, and now that’s resulted in job offers for Irene and Cash and the promise of new love for single dad Baker. Why not move to St. John and into the empty villa? Mother, sons, and grandson do just that. Both the dead mistress’s diary and a cadre of FBI agents begin to provide answers to the questions left dangling in Volume 1, and romantic prospects unfold for all three Steeles. Nevertheless, as a wise person once said, shit happens, combusting the family’s prospects and leading to a cliffhanger ending. On the way, there will be luscious island atmosphere, cute sundresses, frozen drinks, “slender baguette sandwiches with duck, arugula and fig jam,” lemongrass sugar cookies, and numerous bottles of both Krug and Dom Pérignon, the latter served by a wiseass who offers one of his trademark tasting notes: “This storied bubbly has notes of Canadian pennies, your dad’s Members Only jacket, and…‘We Are Never, Ever, Ever Getting Back Together.’ ” You'll be counting the days until you can return to the Virgin Islands with these characters in the concluding volume of the trilogy.
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."Pub Date: Oct. 8, 2019
ISBN: 978-0-316-43557-4
Page Count: 352
Publisher: Little, Brown
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
SEEN & HEARD
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