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TOMATOES FOR NEELA

A digressive plot gets in the way of this celebration of female relationships.

Neela loves cooking with her mother in their big, warm kitchen, where her grandmother’s portrait hangs on the wall.

On Saturday, Neela and Amma go to the green market to buy the vegetable Neela loves cooking best: tomatoes! Together, Neela and Amma make a sauce using a recipe passed down from Paati. As they cook, Neela and her mother dance to the music Amma’s bangles make when she chops vegetables and grates carrots. Amma tells Neela about how tomatoes came from Mesoamerica, where they were cultivated by the ancient Aztecs, and how Europeans initially feared they were poisonous. Now, Amma says, they’re used in cooking all over the world—including India, where Paati’s recipe comes from. As they finish the sauce and can it for the winter, Amma tells Neela about the tomato harvest and about the benefits of eating and cooking vegetables and fruits while they are in season. As they finish preserving the sauce, Neela saves a jar for Paati, who will visit in the winter. Martinez-Neal’s warmly textured, beautifully detailed illustrations are the perfect celebration of intergenerational love. Similarly, the gentle text has some lovely emotional moments. However, Lakshmi includes so much information in the narrative that it meanders, which may cause readers to lose hold of its core. Recipes for sauce and chutney, additional tomato facts, a note about farm workers, and a personal note close the book.

A digressive plot gets in the way of this celebration of female relationships. (Picture book. 3-6)

Pub Date: Aug. 31, 2021

ISBN: 978-0-593-20270-8

Page Count: 40

Publisher: Viking

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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ONE FAMILY

A visually striking, engaging picture book that sends the message that everyone counts.

A playful counting book also acts as a celebration of family and human diversity.

Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”

A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)

Pub Date: May 26, 2015

ISBN: 978-0-374-30003-6

Page Count: 32

Publisher: Frances Foster/Farrar, Straus & Giroux

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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