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THE SHADOWS OF ROOKHAVEN

Atmospheric and gothic in a bighearted way.

After The Monsters of Rookhaven (2021), a special event reveals the Family’s vulnerabilities to outside threats.

Every hundred years, the nonhuman Family gathers at a sanctuary house for the Great Configuration. Mirabelle’s first Configuration will be at Rookhaven. With all of the eerie beings coming and going, a mysterious foe takes the opportunity to send in Billy, under threat to his sister’s life, on a mission to obtain something from Rookhaven. Billy, Mirabelle learns, is like her—of mixed parentage, half-Family and half-human. From the extended Family, Mirabelle learns that the two of them are Misbegotten, outcasts—from both sides of their heritage—who are discriminated against outside Rookhaven. Woven into the intrigue of what the new threat’s goal is, there are meditations on family, mortality, and forgiveness. The young protagonists face mortal dangers not so much toward themselves as toward their loved ones; the pacing picks up once the threats move beyond being theoretical and emotional to the point when the plot against Rookhaven is set into irreversible motion. The heroes, who strive to understand and love one another, humanize even the most monstrous among them, finding beauty, tragedy, and cautionary tales. Having added to both the expanded mythos and the web of character relationships in surprising twists, this story leaves plenty of room for more entries set in its charming, magical world. Characters, when human (or human-shaped), default to White. Final art not seen.

Atmospheric and gothic in a bighearted way. (Fantasy. 8-14)

Pub Date: Sept. 20, 2022

ISBN: 978-1-250-62396-6

Page Count: 304

Publisher: Henry Holt

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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GHOST

From the Track series , Vol. 1

An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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