Wise words about how we can become better readers.
A professor’s guide to understanding the craft of poetry.
For Rekdal, all poems, regardless of form or any other apparently defining feature, require individuals to pay “conscious attention to how [they] think about and use language.” Readers must therefore dispense with interpretations they may bring to a poem and instead become literary “detective[s].” To work toward that end, she dedicates each chapter to in-depth discussions of poetic elements—diction, rhyme, meter, etc.—and to what she calls “forensic” analyses of those elements that she accomplishes by examining works by such diverse poets as François Villon and Robert Hayden. What sets Rekdal’s method apart from simple close reading is that it focuses on how meaning—in the form of poetic “evidence”—accrues for individual readers. This gives insight into the way that poets combine elements for a particular effect. The author further suggests that forensic ladder-style readings give readers the space to question themselves and their own observations (for example, why they may be drawn to certain images or words). In this context, even “red herring” misreadings are useful for the way they help individuals learn to navigate the polysemic complexities of poetry and become more skilled reader-detectives. To help individuals better understand—and wrestle with more meaningfully—the poetic elements she brings to the fore, Rekdal offers exercises and a selected list of poems to consider at the end of each chapter and a comprehensive glossary of poetic terms. This meticulously crafted guidebook will appeal not only to teachers seeking to educate beginning students of poetry but also anyone seeking to understand the intimate and complex connection between poets and their readers.
Wise words about how we can become better readers.Pub Date: Oct. 22, 2024
ISBN: 9780393881981
Page Count: 304
Publisher: Norton
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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