by Paloma Valdivia ; illustrated by Paloma Valdivia ; translated by Susan Ouriou ‧ RELEASE DATE: Aug. 1, 2017
A tribute to those who pass, a celebration of time here, and a multilayered rumination on the cycle of life.
As loved ones leave this world, others arrive in this existential meditation on the cycle of life, an import from Mexico.
On the title page, a girl sits in an older woman’s lap, and together they read this very book: And So It Goes. Primitive representations of winged people and pets float across a blue background as the text matter-of-factly states “Some have already left”—this includes the neighbor’s cat, a beloved aunt, and the fish from a prior day’s meal. Yet even with these losses, there is cause for celebration as others are born and welcomed. Beautifully depicted tears and memories heal, and Valdivia offers the transcendent thought that those leaving and arriving “wish each other happiness” when their paths meet across the sky. Few words populate each page, yet the text is dense with meaning and the artwork rich with joy. Life and death are a mystery, and so readers are reminded to treasure their time here. Sophisticated concepts are visually explained while still leaving room for interpretation; repeat visits bring added depth and dimension. On the closing page, the girl, slightly older, returns to her chair and the book, with her loved one still close and dear.
A tribute to those who pass, a celebration of time here, and a multilayered rumination on the cycle of life. (Picture book. 4-8)Pub Date: Aug. 1, 2017
ISBN: 978-1-55498-869-3
Page Count: 36
Publisher: Groundwood
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: June 15, 2017
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by Pablo Neruda ; translated by Sara Lissa Paulson ; illustrated by Paloma Valdivia
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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