by Pam Conrad & illustrated by Mark English ‧ RELEASE DATE: June 30, 1998
A homespun story from Conrad (This Mess, p. 400, etc.), billed as a retelling of a campfire favorite. The single problem that forms the plot is Old Man Hoover’s prize rabbit. When Philip and his sister Kooch move into the neighborhood that was once Old Man Hoover’s potato field with their new puppy, Frank, he makes his message loud and clear from the start, “If that dog comes anywhere near my prize rabbit, I’ll load my rifle and shoot him dead.” His words reverberate in the children’s minds as Frank becomes a full-grown dog. Then one rainy night, Frank appears with a muddy, rain-soaked rabbit in his teeth. Philip, despite Kooch’s hesitation, shampoos and blow-dries the rabbit, and surreptitiously slips it back into its hutch; in a predictable, yet satisfying ending, Old Man Hoover, certain he had already buried his dead rabbit, puzzles over how his prize pet could have returned to its hutch. The children laugh at hearing about the dilemma; nothing is made of the potential spookiness of a dead rabbit’s returning to its hutch, and Old Man Hoover, as far as readers know, is never enlightened. Interspersed among every short episode are full-color pictures, more dark and dreamlike than real, with the feeling of faded wallpaper, adding mood if not mystery. (Fiction. 5-8)
Pub Date: June 30, 1998
ISBN: 0-06-021514-3
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1998
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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