by Pam Conrad ‧ RELEASE DATE: April 1, 1987
Darcie, 16, seeks her father, Paul, and is befriended by handsome, intriguing Roman during a summer that climaxes with a startling tragedy. With Darcie's mother honeymooning in Europe, Darcie stays with Uncle George and Aunt May, helping out at their zoo restaurant. Taciturn and alcoholic, George is furious at Darcie's curiosity about Paul. Reluctantly, May tells Darcie that Paul was a local boy? a teen-ager as was her mother. Meanwhile, Darcie is fascinated by Roman, a warm, imaginative sealkeeper with a gift for communicating with animals, though his empathy with their captivity and grief when one of them dies border on bizarre. Darcie finds him her one comfort, although, at 28, he scrupulously tries to keep her at arm's length. Still, he helps her find Paul's father and provides solace as she pieces together her sad origins: George had bribed Paul to join the Army; Paul returned the money but went anyway, planning to return and marry Darcie's mother, but was killed. Darcie's feeling for Roman is so strong that she "would do anything for him"; their single kiss is yearningly sweet, but when his favorite seal is killed by a prankster, his ultimate request reveals his dangerous depths. Conrad's characters are so tautly drawn that readers should willingly suspend disbelief at the more melodramatic moments of her plot. The parallel threads of Darcie's quest and her gradual entwinement with Roman, in whose charming vitality a frightening flaw is implied from the beginning, should keep readers enthralled. Darcie's final escape from what has become an evil spell is heart-stopping.
Pub Date: April 1, 1987
ISBN: 0064471640
Page Count: 228
Publisher: Harper & Row
Review Posted Online: April 18, 2012
Kirkus Reviews Issue: March 15, 1987
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by Pam Conrad & illustrated by Mark English
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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