by Pam Muñoz Ryan & illustrated by Ralph Masiello ‧ RELEASE DATE: Feb. 1, 1996
Parallel texts (celebratory verse above, boxed historical information below) and burnished oil paintings combine in this paean to the American flag. The awkward verse (``The many connotations/For which our banner stands/Reflect our country's best intentions/And the people of this land'') adds little to the effort, and although the boxed text correctly states that no one knows who made the very first Stars and Stripes, both poem and illustration (which shows the needlework of a lefthanded seamstress) tend to perpetuate the Betsy Ross legend. Another oddity: In the spread depicting the use of the flag at sporting events, the athlete shown is almost certainly Jesse Owens, yet his name and the significance of his Olympic victory are not mentioned. The book is chiefly interesting for its depiction of the many ways in which the flag is used, e.g., to denote government buildings and official ports of entry, to mark the visits of explorers to remote regions, to memorialize fallen heroes, and to symbolize solidarity in parades and protest marches. (Picture book/nonfiction. 6+)
Pub Date: Feb. 1, 1996
ISBN: 0-88106-845-4
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1996
Share your opinion of this book
More by Pam Muñoz Ryan
BOOK REVIEW
by Pam Muñoz Ryan ; illustrated by Joe Cepeda
BOOK REVIEW
BOOK REVIEW
by Tiffany Jewell ; illustrated by Aurélia Durand ‧ RELEASE DATE: Jan. 7, 2020
Essential.
Awards & Accolades
Likes
19
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2020
New York Times Bestseller
IndieBound Bestseller
A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Share your opinion of this book
More by Tiffany Jewell
BOOK REVIEW
by Tiffany Jewell ; illustrated by Nicole Miles
More About This Book
PROFILES
Awards & Accolades
Likes
24
Our Verdict
GET IT
Google Rating
by E.B. White illustrated by Garth Williams ‧ RELEASE DATE: Oct. 15, 1952
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
Awards & Accolades
Likes
24
Our Verdict
GET IT
Google Rating
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
Share your opinion of this book
More by E.B. White
BOOK REVIEW
by E.B. White & illustrated by Maggie Kneen
BOOK REVIEW
by E.B. White illustrated by Fred Marcellino
BOOK REVIEW
by E.B. White illustrated by Garth Williams
More About This Book
PERSPECTIVES
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.