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WARTHOGS PAINT

Name: WARTHOGS PAINT
Author: Pamela Duncan Edwards
ISBN: 0-7868-0470-X

A MESSY COLOR BOOK

by Pamela Duncan Edwards & illustrated by Henry Cole ‧ RELEASE DATE: July 1, 2001

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This popular team’s warthogs return, fresh from their sloppy kitchen counting experience (Warthogs in the Kitchen, 1998), to make a fun mess with buckets of paint. It is raining and the warthogs have decided to paint the wall. First the primaries are introduced: “All colors can be made, I’ve heard it said, / As long as we have some yellow, blue, and red.” (The color words sport the actual color.) They paint great swipes of color on the wall and then get down to their specialty, making a real fiasco, but with enough control to the mayhem to produce orange, green, and purple. “What a terrible mess! But see, it’s clear: / Mixing blue and yellow makes green appear”—in great pools on the floor, which are transferred to the wall. All said and done, a rainbow materializes on the wall. A little color quiz concludes the story. It’s not Margaret Wise Brown’s Color Kittens—there is little of the magic of color here, it’s all process, and the verse is far from transporting—but it is a solid, slapstick introduction to color, plus utterly inspirational when it comes to making a rainy day bright. (Picture book. 3-5)

Pub Date: July 1, 2001

ISBN: 0-7868-0470-X

Page Count: 32

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2001

Categories:

CHILDREN'S ANIMALS | CHILDREN'S CONCEPTS

- BOOK REVIEW
FOUR SEASONS OF FUN
by Pamela Duncan Edwards ; illustrated by Sylvie Daigneault

- BOOK REVIEW
THE PRINCESS PIGTORIA AND THE PEA
by Pamela Duncan Edwards and illustrated by Henry Cole

- BOOK REVIEW
WHILE THE WORLD IS SLEEPING
by Pamela Duncan Edwards and illustrated by Daniel Kirk

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

by William Boniface ; illustrated by Julien Chung ‧ RELEASE DATE: Oct. 1, 2024

A successful swap from coconut tree to Christmas tree.

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A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S HOLIDAYS & CELEBRATIONS

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TEN LITTLE FISH

by Audrey Wood & illustrated by Bruce Wood ‧ RELEASE DATE: Sept. 1, 2004

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This charming, colorful counting tale of ten little fish runs full-circle. Although the light verse opens and closes with ten fish swimming in a line, page-by-page the line grows shorter as the number of fish diminishes one-by-one. One fish dives down, one gets lost, one hides, and another takes a nap until a single fish remains. Then along comes another fish to form a couple and suddenly a new family of little fish emerges to begin all over. Slick, digitally-created images of brilliant marine flora and fauna give an illusion of underwater depth and silence enhancing the verse’s numerical and theatrical progression. The holistic story bubbles with life’s endless cycle. (Picture book. 3-5)