A mixed-bag cultural assessment of the internet landscape.
The editor of the New York Times Book Review offers dismayed lamentations on all that is being lost to the internet.
In her latest, Paul analyzes the implications of the internet age, deploying “my grumpy-old-man thoughts and wary skepticism, lashed through with a contrary streak of optimism, accumulated over years of observing the culture and covering its manifestations and effects.” She acknowledges the putative treasures and tools of the internet, but she reminds readers that for every gain, there is a loss—e.g., privacy, civility, or myriad products, services, and practices we may have thought to be timeless. To many, writes the author, we can say good riddance or a fond farewell, though she aches for the loss of others. From handwritten letters to quiet, unoccupied moments, cursive writing to vacations without work (or email), school librarians to newspapers, LPs to mixtapes to the notion of “closure”—so much we thought eternal is quaintly antiquarian or gone forever. As Paul engagingly shows, their replacements aren’t always an advance. Yet one thing Paul neglects to address, save by implication, is the power of “no.” We are not forced in every case to accede to fashion, to all of modern technology’s demands, or to the dictates of contemporary sensibilities. Paul is incisive when she gets serious, as in her regrets on the decline of reading (especially of books), diminishing opportunities for solitude, and our eroding capacity for empathy. But some of her death knells are premature, a stretch, too sweeping, or off-base, while others come off as overly tongue-in-cheek. It’s understandable that Paul writes as if Gen X reality (and that of their children) is a dominant force. Still, there are plenty of people pushing back against the tide in meaningful ways. The author should know there are also 100 ways to resist digital dominance as well.
A mixed-bag cultural assessment of the internet landscape.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-13677-5
Page Count: 288
Publisher: Crown
Review Posted Online: Aug. 24, 2021
Kirkus Reviews Issue: Sept. 15, 2021
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
