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BY THE BOOK

WRITERS ON LITERATURE AND THE LITERARY LIFE FROM THE NEW YORK TIMES BOOK REVIEW

Better scanned on the website.

A hit-or-miss collection of Q-and-As, posed mostly to writers in the New York Times Book Review’s “By the Book” page.

Current Book Review editor Paul’s introduction is somewhat pretentious: “The idea was to simulate a conversation over books, but one that took place at a more exalted level than the average water cooler chat.” Well, Q-and-A sessions are hardly “conversations,” and some of the questions—e.g., “What are your reading habits? Paper or electronic? Do you take notes? Do you snack?”—aren’t even worthy of the snack machine, let alone the water cooler. Inevitably, there is a good amount of solipsism: When asked, “What was the last book that made you cry?” Richard Ford replies, “My own book Canada.” Some answers are wacky. “What book is on your night stand now?” John Irving: “I don’t read in bed, ever. As for the main character in my novel In One Person, Billy Abbott is a bisexual man; Billy would prefer having sex with a man or a woman to reading in bed.” Some are stuck in a rut. “What book is on your night stand?” Sylvia Nasar: “Two biographies of Frances Trollope.” “Last truly great book you read?” “The Widow Barnaby, by Frances Trollope.” “Book you wish you could write?” “I’d love to write biographies of Frances Trollope.” However, there are some choice tidbits, too. “Being a native German-speaker, Hayek strings together railroad sentences ending in train wreck verbs,” deadpans P.J. O’Rourke. Donna Tartt wants to have a dinner date with Albert Camus: “That trench coat! That cigarette! I think my French is good enough. We’d have a great time.” Still, for the most part, clinkers outweigh the gems. Lee Child and Arnold Schwarzenegger want Barack Obama to read Churchill; Colin Powell wrote for money; and Rachel Kushner avoids “books that seem to conservatively follow stale formulas.” There’s a tip to remember. Other contributors include Jhumpa Lahiri, Curtis Sittenfeld, Jonathan Lethem and E.L. Doctorow, among many other luminaries.

Better scanned on the website.

Pub Date: Oct. 28, 2014

ISBN: 978-1-62779-145-8

Page Count: 304

Publisher: Henry Holt

Review Posted Online: July 31, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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