by Pansie Hart Flood & illustrated by Felicia Marshall ‧ RELEASE DATE: Nov. 1, 2005
It’s 1978 and good-hearted Sylvia Freeman is getting ready for fifth grade at a new school with her newly discovered family. Hart picks up where Secret Holes (2003) ended, in Wakeview, S.C. Here Sylvia says goodbye to her mother for the first time and is left with her “best friend and great-grandmother,” Miz Lula May. Sylvia’s start of school is a bit rocky and becomes even more challenging when she receives a note that makes fun of Miz Lula May. Self-conscious and worried, Sylvia is embarrassed about her great-grandmother’s age, her slightly worn house and her other quirky relatives. Though Sylvia’s first-person narrative is spunky and honest, the dialect is jumpy and inconsistent, sometimes changing mid-sentence. Readers will wonder why Sylvia’s mother is gone so long—even Sylvia wonders, but her question is never answered. The strength of this story is not so much the Southern atmosphere or an evocation of the time, but in the relationship between Sylvia and her family. Those who’ve read the first two installments in Sylvia’s life will want to continue with this one. (Fiction. 8-11)
Pub Date: Nov. 1, 2005
ISBN: 1-57505-866-9
Page Count: 128
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
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by Pansie Hart Flood & illustrated by Felicia Marshall
BOOK REVIEW
by Pansie Hart Flood & illustrated by Felicia Marshall
by Julia Alvarez ‧ RELEASE DATE: Jan. 13, 2009
Though it lacks nuance, still a must-read.
Tyler is the son of generations of Vermont dairy farmers.
Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.
Though it lacks nuance, still a must-read. (Fiction. 9-11)Pub Date: Jan. 13, 2009
ISBN: 978-0-375-85838-3
Page Count: 240
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
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by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Rebecca Bond ; illustrated by Salley Mavor
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by Rebecca Bond ; illustrated by Rebecca Bond
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by Rebecca Bond ; illustrated by Rebecca Bond
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