by Pansie Hart Flood & illustrated by Felicia Marshall ‧ RELEASE DATE: Nov. 1, 2005
It’s 1978 and good-hearted Sylvia Freeman is getting ready for fifth grade at a new school with her newly discovered family. Hart picks up where Secret Holes (2003) ended, in Wakeview, S.C. Here Sylvia says goodbye to her mother for the first time and is left with her “best friend and great-grandmother,” Miz Lula May. Sylvia’s start of school is a bit rocky and becomes even more challenging when she receives a note that makes fun of Miz Lula May. Self-conscious and worried, Sylvia is embarrassed about her great-grandmother’s age, her slightly worn house and her other quirky relatives. Though Sylvia’s first-person narrative is spunky and honest, the dialect is jumpy and inconsistent, sometimes changing mid-sentence. Readers will wonder why Sylvia’s mother is gone so long—even Sylvia wonders, but her question is never answered. The strength of this story is not so much the Southern atmosphere or an evocation of the time, but in the relationship between Sylvia and her family. Those who’ve read the first two installments in Sylvia’s life will want to continue with this one. (Fiction. 8-11)
Pub Date: Nov. 1, 2005
ISBN: 1-57505-866-9
Page Count: 128
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
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by Pansie Hart Flood & illustrated by Felicia Marshall
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by Jacqueline Davies ‧ RELEASE DATE: April 23, 2007
Told from the point of view of two warring siblings, this could have been an engaging first chapter book. Unfortunately, the length makes it less likely to appeal to the intended audience. Jessie and Evan are usually good friends as well as sister and brother. But the news that bright Jessie will be skipping a grade to join Evan’s fourth-grade class creates tension. Evan believes himself to be less than clever; Jessie’s emotional maturity doesn’t quite measure up to her intelligence. Rivalry and misunderstandings grow as the two compete to earn the most money in the waning days of summer. The plot rolls along smoothly and readers will be able to both follow the action and feel superior to both main characters as their motivations and misconceptions are clearly displayed. Indeed, a bit more subtlety in characterization might have strengthened the book’s appeal. The final resolution is not entirely believable, but the emphasis on cooperation and understanding is clear. Earnest and potentially successful, but just misses the mark. (Fiction. 8-10)
Pub Date: April 23, 2007
ISBN: 0-618-75043-6
Page Count: 192
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
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by Jacqueline Davies ; illustrated by Cara Llewellyn
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by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
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