A lyrical celebration of several generations of a Mexican- American family in El Paso, Tex., by a poet and essayist (Nepantla, not reviewed). Mora has created an ingenious structure for these recollections of her extended family, of their lives and the tales they share about the family's history. She imagines a family home, an ``adobe body to house the spirits I gather,'' a space ``through which generations move, each bringing its gifts, handing down languages and stories, recipes for living,'' and then populates it with several generations of family, living and dead: her austere grandparents; her loving, quarreling aunts; her quiet, beloved father; and her own bright, affectionate, independent children. The book's 12 chapters are devoted to different family members, who illuminate in the stories they tell Mora both their own lives and their relationship with the larger family. Indeed, it is the family as both the source of life and the one sure guarantee of a kind of immortality that figures most here. The stories are often of mundane matters: of vanished riches (the family settles in El Paso in 1913 after losing everything during the Mexican Revolution), of frustrated romances, and of course of the battles the family fights over several generations to preserve its identity in a new country. Woven in with these memories are recipes, fragments of songs and poetry, folk remedies, and jokes, all of the small matters that most reveal a family's identity. Several figures stand out, including Mora's maiden aunt Lobo, repelled by the idea of physical intimacy between men and women but fiercely protective of (and indulgent toward) the family's children. In a language deftly mingling the natural cadences of speech and precise, poetic imagery, Mora believably summons up both a group of tough, loving, idiosyncratic survivors and a vivid, detailed portrait of life in the southwest in this century. (12 b&w photos, not seen) (Author tour)
Pub Date: May 5, 1997
ISBN: 0-8070-7200-1
Page Count: 324
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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