Mora (Tom†s and the Library Lady, 1997, etc.) celebrates the people, creatures, and landscapes of the American southwest through poetry of mixed quality. Some of the poems have an ear-pleasing music that lifts the words from the page and sets them dancing: ``Coyote spies/new moon, slight/grin, high/in the sky./Coyote licks/cold, white/shine, mouthful/of stars.'' Others are both postured and tortured: ``Two ravens spread their wings, rise/into whispers/of great pines, over mountains blue/with memories.'' Jenkins's accompanying cut-paper collages possess the same prismatic energy he brought to his Biggest, Fastest, Strongest (1995, not reviewed). Occasionally Mora and Jenkins are at odds, as in ``Tall Walking Woman,'' where Mora is all minute observation and Jenkins all atmosphere, but when their efforts fuse, they lyrically summon the special qualities of a singular landscape. (Picture book. 5-9)