It may be a romantic view, but it is nevertheless a very appealing one.
A gentle rhyme scheme and a palette that brings to mind folk art shape a nostalgic and rather sentimental view of the holiday.
The narrator is one of the small boys of the featured household, and he, with his red hair and russet waistcoat, is in every frame. Each family member has a task. Daddy fills the wood stove, Mama prepares the turkey, Brother bastes it, Grandpa makes the cranberry sauce, and so on. All of the activity is related in an easy, pleasing rhyme. “Sister, knead the rising dough. / Punch it down, then watch it grow. / Line your loaves up in a row. / Sister, knead the dough.” The narrator assists wherever he can, though he needs Grandpa to hold him up to stir the berries, and it is his idea to make Pilgrim hats for place mats. While the clothing and kitchen items evoke the Victorian era, this is meant more as memory or imagination than history. One might quibble that a family this well-to-do would probably have had servants doing much of the cooking, that the menfolk would very likely have left the cooking duties to the women, and that the dog and cat who also figure in most of the scenes might not have gotten along quite so well (or been so present in the kitchen).
It may be a romantic view, but it is nevertheless a very appealing one. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-307-98182-0
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: June 5, 2015
Kirkus Reviews Issue: June 15, 2015
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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