Superb insights into a flawed genius.
One of the greatest physicists and mathematicians of the past century receives his first biography.
Science journalist Barss, author of Flow Spin Flow: Looking for Patterns in Nature, does a fine job with a difficult subject. Penrose, now 93, did not win his Nobel Prize until 2020. Few deny his genius, but explanations of his groundbreaking discoveries are, like Stephen Hawking’s, likely to baffle a lay audience and were no snap for his colleagues. His Ph.D. advisors, world-class mathematicians, acclaimed his thesis but found it “by no means light reading.” Einstein’s relativity, which illuminated space, time, and gravity, is easier to explain. Penrose discovered the limitations of relativity but also simplified many of its complex equations. Ironically for a mathematician, Penrose disliked equations, preferring to view the cosmos visually. This fascination with geometry has made his name best known for a few dazzling optical illusions such as the Penrose triangle and Penrose staircase. Penrose’s genius was no secret. He was showered with honors, lectured, traveled the world, and enjoyed collaboration and quarrels with fellow scientists. His personal life was less satisfactory, although Barss has a much easier time explaining it. His brilliant but distant father encouraged a fascination with science and puzzles but seems to have left his son emotionally challenged. A popular speaker, Penrose had no trouble dealing with fellow scientists but seemed unable to handle intimate relationships. Intensely attracted to energetic, accomplished women, often fellow mathematicians, he married two but carried on long relationships with others whom he openly referred to as his “muses,” preferring to pepper them with his papers and solicit feedback, behavior they found both flattering and creepy. Readers may incline toward creepy.
Superb insights into a flawed genius.Pub Date: Nov. 12, 2024
ISBN: 9781541603660
Page Count: 352
Publisher: Basic Books
Review Posted Online: Sept. 27, 2024
Kirkus Reviews Issue: Nov. 1, 2024
BOOK REVIEW
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
IN THE NEWS
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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