bookshelf

BLACK HANDS, WHITE SAILS

Name: BLACK HANDS, WHITE SAILS
Author: Patricia C. McKissack
ISBN: 0-590-48313-7

THE STORY OF AFRICAN-AMERICAN WHALERS

by Patricia C. McKissack & Fredrick L. McKissack ‧ RELEASE DATE: Oct. 1, 1999

bookshelf

From the McKissacks (Young, Black, and Determined, 1998, etc.), a well-written, historical account of African-Americans who sailed on whaling ships off the East Coast between 1730 and 1880. The whaling industry provided great opportunities for free black seaman (and runaway slaves), many of whom could not find jobs elsewhere. The McKissacks note that during the “golden age” of whaling in the early 19th century, African-Americans comprised one-quarter of the crews; after the Civil War, their ranks swelled to half of all whalers. Not only does this book describe the whaling industry, it provides original maritime documents and historical black-and-white photographs from the Mystic Seaport Museum and the Kendall, New Bedford, Nantucket, and Martha’s Vineyard whaling museums. Another thread of this fascinating history is the story of the abolitionist movement and the Underground Railroad for the Nantucket and New Bedford whalers. Beyond an overview, readers also meet some individuals, such as Lewis Temple, who developed the “toggle” harpoon design with barbs that stuck into the whale’s body and wouldn’t pull out easily, and John Mashow, who designed whale ships, including the Nimrod. The McKissacks describe an exciting period of maritime history, and celebrate an industry that chose workers on the basis of their skills, and not their skin. (index, not seen, b&w photos, appendix, chronology, bibliography). (Nonfiction. 8-13)

Pub Date: Oct. 1, 1999

ISBN: 0-590-48313-7

Page Count: 160

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1999

Categories:

CHILDREN'S HISTORY

- BOOK REVIEW
WHAT IS GIVEN FROM THE HEART
by Patricia C. McKissack ; illustrated by April Harrison

- BOOK REVIEW
WHO WILL BELL THE CAT?
by Patricia C. McKissack ; illustrated by Christopher Cyr

- BOOK REVIEW
LET'S CLAP, JUMP, SING & SHOUT; DANCE, SPIN & TURN IT OUT!
edited by Patricia C. McKissack ; illustrated by Brian Pinkney

bookshelf

THE CENTURY FOR YOUNG PEOPLE

by Peter Jennings & Todd Brewster ‧ RELEASE DATE: Oct. 1, 1999

bookshelf

Just in time for the millennium comes this adaptation of Jennings and Brewster’s The Century (1998). Still a browsable, coffee-table edition, the book divides the last 100 years more or less by decade, with such chapter headings as “Shell Shock,” “Global Nightmare,” and “Machine Dreams.” A sweeping array of predominantly black-and-white photographs documents the story in pictures—from Theodore Roosevelt to O.J., the Panama Canal to the crumbling Berlin Wall, the dawn of radio to the rise of Microsoft—along with plenty of captions and brief capsules of historical events. Setting this volume apart, and making it more than just a glossy textbook overview of mega-events, are blue sidebars that chronicle the thoughts, actions, and attitudes of ordinary men, women, and children whose names did not appear in the news. These feature-news style interviews feature Milt Hinton on the Great Migration, Betty Broyles on a first automobile ride, Sharpe James on the effect of Jackie Robinson’s success on his life, Clara Hancox on growing up in the Depression, Marnie Mueller on life as an early Peace Corps volunteer, and more. The authors define the American century by “the inevitability of change,” a theme reflected in the selection of photographs and interviews throughout wartime and peacetime, at home and abroad. While global events are included only in terms of their impact on Americans, this portfolio of the century is right for leafing through or for total immersion. (index) (Nonfiction. 9-12)

Pub Date: Oct. 1, 1999

ISBN: 0-385-32708-0

Page Count: 245

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

Categories:

CHILDREN'S HISTORY

bookshelf

CIVIL WAR ARTIST

by Taylor Morrison ‧ RELEASE DATE: April 1, 1999

bookshelf

It took four weeks for illustrations of scenes from the US’s Civil War battles to make it from the front lines to readers’ hands; Morrison (Cheetah, 1998, etc.) explains that process in his uniquely handsome book. Morrison introduces the fictional artist, William Forbes, commissioned by the fictional Burton’s Illustrated News to follow the Union Army into battle at Bull Run. Throughout the day’s fighting Forbes makes quick sketches; it is risky business, and he is often in mortal peril. That night he makes a more complete drawing, which is handed to a courier and taken back to the Burton offices. There, engravers set to work translating Forbes’s drawing to a grid of wood blocks (Morrison includes interesting incidentals along the way, giving the process its due). The images are converted to electrotype, whereafter it is finally ready for the operators and pressman. Shortly after that, the newsboys are seen hawking the illustrated weekly, containing Forbes’s image a mere month after the actual event. Morrison successfully renders the complexities of illustrating newspapers 150 years ago, and just as successfully conveys that in abandoning the wood block for the photograph, some of the art was sacrificed for speed. (glossary) (Picture book. 6-10)