Cornwell’s piecemeal approach to her heroine’s daunting job is more realistic than compelling.
Back in her post as Virginia’s chief medical examiner, Dr. Kay Scarpetta finds things just as messy among the living as the dead.
Even though her killer has cut off her hands, the corpse du jour is soon identified as that of Gwen Hainey, a biomedical engineer from Thor Laboratories, who just happened to live two doors down from Scarpetta’s sister, Dorothy, and her husband, ex-cop shamus Pete Marino. Called out to assist U.S. Park Police investigator August Ryan, Scarpetta, urged on by Officer Blaise Fruge—whose mother, Dr. Greta Fruge, is a toxicologist Scarpetta came to trust before she left Virginia for Boston—connects Hainey’s murder with the months-old death of Cammie Ramada, a jogger who was drowned only a short distance away. Dr. Elvin Reddy, Scarpetta’s politically minded predecessor, short-circuited the earlier investigation by ruling the death an accident even though it was highly unusual for him to get involved directly at all. As she battles Reddy, largely through Maggie Cutbush, the British secretary he left behind to undermine his successor, Scarpetta has other worries as well. In a development that will remind fans of Cornwell’s non-Scarpetta thriller Quantum (2019), she’s called to the White House to conduct what turns out to be a long-distance autopsy by proxy on a pair of astronauts aboard a Thor orbiting laboratory who’ve apparently been killed by a barrage of space debris. And she’s poisoned by a bottle of Bordeaux she was given by irreproachable Gabriella Honoré, the first female secretary general of Interpol. After the usual professional infighting, all these separate cases are wound up with a series of casual snaps that will leave you gasping, and not in a good way.
Cornwell’s piecemeal approach to her heroine’s daunting job is more realistic than compelling.Pub Date: Nov. 30, 2021
ISBN: 978-0-06-311219-3
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
SEEN & HEARD
Fine Grisham storytelling that his fans will enjoy.
A descendant of enslaved people fights a Florida developer over the future of a small island.
In 1760, the slave ship Venus breaks apart in a storm on its way to Savannah, and only a few survivors, all Africans, find their way safely to a tiny barrier island between Florida and Georgia. For two centuries, only formerly enslaved people and their descendants live there. A curse on white people hangs over the island, and none who ever set foot on it survive. Its last resident was Lovely Jackson, who departed as a teen in 1955. Today—well, in 2020—a developer called Tidal Breeze wants Florida’s permission to “develop” Dark Isle, which sits within bridge-building distance from the well-established Camino Island. The plot is an easy setup for Grisham, big people vs. little people. Lovely’s revered ancestors are buried on Dark Isle, which Hurricane Leo devastated from end to end. Lovely claims the islet’s ownership despite not having formal title, and she wants white folks to leave the place alone. But apparently Florida doesn’t have enough casinos and golf courses to suit some people. Surely developers can buy off that little old Black lady with a half million bucks. No? How about a million? “I wish they’d stop offering money,” Lovely complains. “I ain’t for sale.” Thus a non-jury court trial begins to establish ownership. The story has no legal fireworks, just ordinary maneuvering. The real fun is in the backstory, in the portrayal of the aptly named Lovely, and the skittishness of white people to step on the island as long as the ancient curse remains. Lovely has self-published a history of the island, and a sympathetic white woman named Mercer Mann decides to write a nonfiction account as well. When that book ultimately comes out, reviewers for Kirkus (and others) “raved on and on.” Don’t expect stunning twists, though early on Dark Isle gives four white guys a stark message. The tension ends with the judge’s verdict, but the remaining 30 pages bring the story to a satisfying conclusion.
Fine Grisham storytelling that his fans will enjoy.Pub Date: May 28, 2024
ISBN: 9780385545990
Page Count: 304
Publisher: Doubleday
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
SEEN & HEARD
A stunning, engaging subversion of the Bundy myth—and the true-crime genre.
This thinly veiled fictionalization of Ted Bundy’s attack on a Florida State University sorority begins with the horror rather than making it the climax.
As president of her sorority, Pamela Schumacher is used to staying up late to deal with paperwork while her sisters are out partying. The night of Jan. 15, 1978, is no different. Jarred awake at 3 a.m. after having fallen asleep with her clothes on, she hears running footsteps and sees a man heading for the front door. He can’t see her in the shadows—a fact that turns out to save her life, rendering her the only eyewitness to a horrible crime and a notorious criminal, “a man who murdered thirty-five women and escaped prison twice.” The novel goes on to follow several alternating timelines: From Pamela’s perspective, it builds from the day of the sorority murders and also follows her return trip to Tallahassee more than 30 years later in response to a mysterious letter. These chapters are interspersed with the 1974 story of Ruth Wachowsky, believed by her girlfriend, Tina Cannon, to have been one of the killer’s earlier victims. Knoll makes an interesting—and powerful—choice not to name Bundy at any point; Pamela asserts that she “vowed to stop using [his name]” because “there isn’t anything exceptionally clever” about him. Choosing not to name him deflates the myth of the monster, of the charmer, of the criminal genius that people often consider Bundy to be. As the title indicates, this novel belongs to the women: the ones killed because they were too kind to reject an “injured” man asking for help; the ones who lost people they loved; the ones who ultimately had to look him in the eye and not let it destroy their lives. There are twin threads of mystery that lead readers through the maze: the rumor of a suppressed confession tape and Ruth’s story. But in the end, it’s the latter that’s so much more important than the former. In this world of true-crime mania, Knoll knows that every choice—and every name—matters.
A stunning, engaging subversion of the Bundy myth—and the true-crime genre.Pub Date: Sept. 19, 2023
ISBN: 9781501153228
Page Count: 384
Publisher: Marysue Rucci Books
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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