by Patricia Lakin & illustrated by John Manders ‧ RELEASE DATE: Oct. 8, 2002
A mouse-loving, pacifist cat? A public library? What do these have in common? They’re the main ingredients of the plot in this rollicking story about Clarence, who’s banished from a sandwich shop because of his refusal to hurt any living creature—including those of the rodent persuasion. Sad and alone, the feline finally finds refuge in a “strange place [where] [h]undreds of books lined the walls of a big room.” Like so many others, Clarence finds solace and a comfortable home in the library (the illustrations depict the Oakland Branch of Pittsburgh’s Carnegie Library), especially because there’s not a mouse in sight. Soon Clarence comes to be known by his rescuer, the friendly librarian Mr. Spanner (wonderful—an older man, no less, who conducts story times), as Clarence Copy Cat because of the furry one’s penchant for sitting atop the photocopier. Life’s very good . . . until a guess-what makes an appearance through a hole under the copy machine. As usual, Clarence refuses to take part in any mouse-chasing or -catching scheme. Attempting to think of ploys to get the mouse without having to resort to distasteful violence, Clarence finally—and literally—hits upon a method of permanently banishing the creature, thanks to the copy machine. Young readers and listeners will find this a humorous and satisfying solution to the problem. If only all mouse eradications could be accomplished in so simple and amusing a way. Librarians take note: Young customers—those in branches with or without mice—will find much to smile about here, and Manders’s goofy, cartoony illustrations are filled with energy and child appeal. (Picture book. 4-8)
Pub Date: Oct. 8, 2002
ISBN: 0-385-32747-1
Page Count: 32
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
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by Patricia Lakin ; illustrated by Daniel Tarrant
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by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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by Teri Sloat & Betty Huffman & illustrated by Teri Sloat ‧ RELEASE DATE: June 1, 2004
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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by Teri Sloat ; illustrated by Rosalinde Bonnet
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by Teri Sloat and illustrated by Stefano Vitale
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