by Patricia Lee Gauch & illustrated by Satomi Ichikawa ‧ RELEASE DATE: April 1, 2001
Talented little Tanya is growing up, and she’s starring now in her sixth story from collaborators Gauch and Ichikawa (Presenting Tanya the Ugly Duckling, 1999, etc.). Like all female ballet students, Tanya longs to begin pointe work with her first pair of toe shoes, especially after she watches the movie version of The Red Shoes. Her class finally gets toe shoes (though children at the age shown are really too young to begin serious pointe work), and they slowly learn to dance sur pointes, as their teacher says. Tanya struggles through blisters, feeling like an elephant, and actually flinging her toe shoes across the room, but she perseveres with plenty of practice and some kind encouragement from her older sister, an experienced dancer. Tanya extends her budding accomplishments on the final page (and the cover) with a dream sequence of herself dancing skillfully in her own red toe shoes. Effectively capturing Tanya’s effervescent personality, Ichikawa’s polished watercolor-and-ink illustrations also show a superb understanding of the proper positions and dynamics of ballet, right down to finger placement and the correct tilt of the head. Gauch’s first-person story has Tanya wobbling believably between a frustrated little girl and a determined young dancer, but the lovely cover illustration of Tanya in a perfect arabesque shows us that she is ready to soar. Brava, Tanya—come back again for another encore. (Picture book. 4-8)
Pub Date: April 1, 2001
ISBN: 0-399-23314-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2002
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Katie Weaver ‧ RELEASE DATE: July 16, 2024
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
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In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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