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PRAIRIE DAYS

A deeply nostalgic look at once-upon-a-time Midwest farm life.

Newbery Medalist MacLachlan tells the story of a pastoral childhood on a prairie farm.

The unnamed narrator is depicted as a pale child with fair hair living in a small prairie town in, perhaps, the 1940s. In a nostalgic, retrospective voice, the protagonist recalls the wildlife and flowers near the farmhouse; the vast landscapes; swimming in the farm pond; and the sights, smells, and sounds of happy summers spent primarily outdoors. The narrator remembers trips to small towns, the local filling station, the granary by the railroad, and the nearby shops. Characters all appear to be white, and it is strictly from this perspective that the story is told; it comes complete with cowboys who say, “Hello, little lady,” and nearby towns with names like Rattlesnake and Spotted Horse. The story is insular, told as it is from this one child’s point of view, yet sprawling in its visual depictions of the “sky so big” (the book’s wide, horizontal orientation does its best to capture this) and the point “where the prairie met the mountains.” Archer’s vivid, textured mixed-media illustrations include tissue papers and homemade stamps. They are richly colored and detailed; these are spreads to linger over. Readers may see something new with each look.

A deeply nostalgic look at once-upon-a-time Midwest farm life. (Picture book. 4-10)

Pub Date: May 26, 2020

ISBN: 978-1-4424-4191-0

Page Count: 40

Publisher: McElderry

Review Posted Online: Feb. 17, 2020

Kirkus Reviews Issue: March 15, 2020

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A THOUSAND YEARS

A sweet notion that falls flat.

A hit song reimagined as a book about parental love.

Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.

A sweet notion that falls flat. (Picture book. 4-7)

Pub Date: April 1, 2025

ISBN: 9780593622599

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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