A beautiful but minor effort from two immensely talented creators.
A parent-child pair observes the coming of night and the reactions of various (mostly domesticated) animals and their offspring.
MacLachlan uses a simple four-line rhyme scheme and intensifies the lulling quality of her text by starting the first six stanzas with the title sentence: “The moon’s almost here.” The lines that follow describe the animals settling down and/or heading home in their pastoral setting. As the moon begins to rise, the pattern of the rhyme stays the same (abcb), but the first line varies and the tone increases in intimacy. From “out in the meadow,” where "the fireflies blink bright," to “my bed,” where a little kitten curls up cozily, then back into the night to greet the moon, the voice becomes the child’s. DePaola’s acrylic paintings in his signature style depict the parent figure as a white-faced, pantomime Pierrot, accompanied by a ginger-haired, preschool-sized white child of indeterminate gender. Subtle shadings of color capture the magical changes brought on by the setting of the sun and the rising of the moon. Stylized shapes turn leaves and flowers into appealing patterns, while the white clothing of parent and child seems to glow against the darkening background. While the illustrations are undeniably lovely and the words flow smoothly and soothingly, however, overall this seems slight and somewhat predictable.
A beautiful but minor effort from two immensely talented creators. (Picture book. 3-6)Pub Date: June 7, 2016
ISBN: 978-1-4814-2062-4
Page Count: 32
Publisher: McElderry
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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