Awe-inspiring.
Buckley (Kahnawá:ke Mohawk) and Lewis (Lenni-Lenape) pay tribute to the courage and perseverance of Iroquois steelworkers.
Known as “skywalkers” for their ability to fearlessly balance on the beams of bridges under construction, the first of these laborers were Mohawks from the Caughnawaga reserve in eastern Canada. In the face of staggering economic oppression, skywalkers earned wages that enabled them to feed their families. Their achievements brought honor as well as heartbreak to their communities: first in 1907, when 33 Mohawk skywalkers were killed during the construction of a bridge across the St. Lawrence River in Quebec. Then, in 2001, skywalkers (whose ancestors famously built the Twin Towers in New York City) “volunteered to dismantle what their fathers and uncles built decades before” in the aftermath of 9/11. Today, Indigenous skywalkers—including women—continue this proud tradition of sky-high steel work. Lewis’ impressionist watercolors reverently depict skywalkers’ triumphs and tragedies; his dramatic, cinematic angles and perspectives will have readers gasping in wonder. By turns solemnly reverent and enthusiastic, Buckley’s elegant text will leave young people keenly aware of the historical and present-day significance of these groundbreaking workers, as well as their strength and resilience. Extensive backmatter speaks to Buckley’s own skywalking family and further explores Mohawk history.
Awe-inspiring. (glossary, a sample of buildings constructed by skywalkers, note from Heartdrum author-curator Cynthia Leitich Smith) (Informational picture book. 6-9)Pub Date: Jan. 28, 2025
ISBN: 9780063046979
Page Count: 40
Publisher: Heartdrum
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
A fragmentary memoir, but warm, humorous and engaging overall.
Anecdotal paintings and reminiscences of two childhood years spent in China, by an artist now in her 90s.
Following up Once Upon a Full Moon (2007), an account of her family’s journey from Canada to Kwangtung province, Quan recalls 17 experiences or incidents during the stay. These include feasting on New Year’s Day (“Mama steamed a whole chicken inside a winter melon and made sweet red and green bean paste…”), gathering to watch a teen relative take a bucket shower (“We all laughed with glee”), and welcoming both a new piglet and, later, a new baby brother. Opposite each memory, a full-page, loosely brushed watercolor in a naïve style adds both cultural and comical notes with depictions of small, active or intent figures in village dress and settings. It’s a sunny picture, but there are references to the real dangers of pirates and brigands, as well as a comment about the author’s beloved Popo (grandmother) walking to church on bound feet. These, along with a final parting made particularly poignant since the baby, being foreign-born, had to be left in China for several years, keep it from becoming a sugary nostalgiafest.
A fragmentary memoir, but warm, humorous and engaging overall. (afterword, with photo of Popo) (Illustrated memoir. 6-9)Pub Date: March 12, 2013
ISBN: 978-1-77049-383-4
Page Count: 40
Publisher: Tundra Books
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
Sad indeed, but a little bland—though less traumatic in the telling than the stories of Jumbo or the Faithful Elephants...
In this true tale of an elephant that crushed a keeper after peacefully giving zoo visitors rides for nearly 40 years, Fenton tones the drama down to near nonexistence (for better or worse).
Arriving at the Melbourne Zoo as a youngster, Queenie began giving rides in 1905. She became such a fixture that children wrote her letters, her birthday was celebrated each year, and she even marched in the Centenary Floral Parade in 1934. After creating an endearing but not anthropomorphic portrait of her pachyderm protagonist, the author, warning that “Queenie’s story has a sad ending,” goes on to explain that even though the 1944 killing might have been just an accident, “the gentle Indian elephant was put to sleep.” Furthermore, she was never replaced; the elephants in today’s zoo occupy a habitat where they can “do just what elephants like to do.” Neither the incident itself nor Queenie’s end are specifically described or depicted, and Gouldthorpe’s illustrations, which look like old, hand-tinted photographs, put a nostalgic distance between viewers and events.
Sad indeed, but a little bland—though less traumatic in the telling than the stories of Jumbo or the Faithful Elephants (1988) killed at the Tokyo Zoo. (Informational picture book. 6-8)Pub Date: June 11, 2013
ISBN: 978-0-7636-6375-9
Page Count: 25
Publisher: Candlewick
Review Posted Online: April 30, 2013
Kirkus Reviews Issue: May 15, 2013
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