Polacco presents another offering in her series of nostalgic Christmas stories set in snowy Michigan of yesteryear, this time in the 1930s.
Trisha and her older brother, Richie, live with their schoolteacher mother and their grandfather on the family farm. Their grandmother has recently died, and a new housekeeper arrives to help, in more ways than just by doing housework. Richie resents the new addition to the household, but Kay Lamity is a whirlwind of a character who can charm a sad boy, whip up a dinner and make angels out of corn husks, quick as you can say smart-talkin’, larger-than-life folk hero. Why, that Kay Lamity can “stare down an armadilla while dancin’ on the back of a wild boar.” As the Christmas season unfolds, Richie tells his younger sister that Santa isn’t real, upsetting the girl and threatening to ruin Christmas. Kindly, Kay helps the children regain their belief in Santa and start to accept the death of their grandmother and the impending sale of the farm. Polacco’s distinctive illustrations are filled with the usual cozy kitchens, snowy farm scenes and appealing children, but it’s Kay Lamity who stands out as the shining star of this touching, longer story. The story has humor, deeper meaning and a mystery as to Kay Lamity’s true identity. (Sharp-eyed readers will note that Kay bears a striking resemblance to Polacco’s photo on the jacket flap!) (Picture book. 5-8)
Pub Date: Oct. 3, 2013
ISBN: 978-0-399-16094-3
Page Count: 40
Publisher: Putnam
Review Posted Online: Nov. 17, 2013
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones.
Hill and Bobbiesi send a humungous hug from grandmothers to their granddaughters everywhere.
Delicate cartoon art adds details to the rhyming text showing multigenerational commonalities. “You and I are alike in such wonderful ways. / You will see more and more as you grow” (as grandmother and granddaughter enjoy the backyard together); “I wobbled uncertainly just as you did / whenever I tried something new” (as a toddler takes first steps); “And if a bad dream woke me up in the night, / I snuggled up with my lovey too” (grandmother kisses granddaughter, who clutches a plush narwhal). Grandmother-granddaughter pairs share everyday joys like eating ice cream, dancing “in the rain,” and making “up silly games.” Although some activities skew stereotypically feminine (baking, yoga), a grandmother helps with a quintessential volcano experiment (this pair presents black, adding valuable STEM representation), another cheers on a young wheelchair athlete (both present Asian), and a third, wearing a hijab, accompanies her brown-skinned granddaughter on a peace march, as it is “important to speak out for what you believe.” The message of unconditional love is clear throughout: “When you need me, I’ll be there to listen and care. / There is nothing that keeps us apart.” The finished book will include “stationery…for a special letter from Grandma to you!”
This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones. (Picture book. 5-8)Pub Date: April 7, 2020
ISBN: 978-1-7282-0623-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: April 1, 2020
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