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JANUARY’S SPARROW

A voice in the prologue, in the dialect cadences of the slave narratives, introduces the stark opening image of a black man, roped and bloodied, dragged by two white men on horseback—the paddy rollers. Eight-year-old Sadie Crosswhite is forced to watch with her parents and siblings as their beloved friend, January Drumm, is whipped and carried off for burial, the price for trying to run away. Sadie and her family run away that night, stopping in Marshall, Mich., with its free black community. They tell no one that they are runaways, as harboring them is against the law. The slave catchers track the Crosswhites down some four years later, in 1847, and in a blazing scene the townspeople of Marshall, black and white, defy them, even as January himself appears, baring his horribly scarred back. Polacco’s passionately realized images use every tool in the artist’s arsenal: pictures structured like Expressionist etchings or Mannerist saints; echoes of Delacroix and Ryder, Rembrandt and Goya. Rooted in history (a comprehensive bibliography is promised online), this is a masterly narrative that horrifies, moves and informs. (Illustrated fiction. 9-14)

Pub Date: Oct. 29, 2009

ISBN: 978-0-399-25077-4

Page Count: 96

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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RETURN TO SENDER

Though it lacks nuance, still a must-read.

Tyler is the son of generations of Vermont dairy farmers.

Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.

Though it lacks nuance, still a must-read. (Fiction. 9-11)

Pub Date: Jan. 13, 2009

ISBN: 978-0-375-85838-3

Page Count: 240

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2008

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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