Mr. Lincoln, the African-American school principal is considered “just plain cool” and is loved by all the students—except Eugene Esterhause. “Mean Gene” is a bully who uses racial epithets he has learned from his bigoted father. Mr. Lincoln is determined to reach Eugene and affect a change in his thinking and behavior. When he discovers that Eugene has learned a great deal about nature from his kind grandfather, he enlists Eugene’s help in managing the school’s new atrium. They become deeply involved with the birds, especially a pair of mallards that have nested there. Along the way, Mr. Lincoln tries to teach the troubled child about acceptance and respect of all his “little birds,” both feathered and human. When the ducklings hatch, Eugene and Mr. Lincoln lead them safely to the pond where their parents await. Polacco (Betty Doll, p. 264, etc.) is a master at telling moving stories that gently teach lessons of kindness, compassion, and love. This newest work is only slightly less successful. It is certainly visually appealing, with colorful, expressive illustrations that beautifully enhance the text. Personalities and changing moods are vividly presented in Polacco’s signature style. The story, however, seems a bit contrived and derivative. It’s a little of Make Way for Ducklings meets To Sir with Love. In fact, endpapers that show a grown Gene Esterhause, now a teacher, indicating there might be more to the story as indeed the flap copy reveals that Polacco based her setting on a school where the ducks and atrium do exist. With that in mind, it is still a sweet story about learning to respect oneself and others, and is well worth the reader’s attention. (Picture book. 6-9)
Pub Date: Sept. 1, 2001
ISBN: 0-399-23754-2
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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