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THE QUITE CONTRARY MAN

A TRUE AMERICAN TALE

What shall we do with the contrary man? Joseph Palmer's long golden beard is the pride of his family and the bane of the small Massachusetts town where he lives. It flows all the way down to his belly and "from elbow to elbow," earning him the nickname Beard. But people jeer, calling him "Un-American!" One day, four men with scissors try to ambush Beard, but he fights them off. Then these men have the nerve to go to court and blame Beard for attacking them. The judge issues a $10 fine, and, when Beard refuses to pay it, they put him in jail for a year. Beard's tearful family visits him every day, and he complains about the conditions in letters to the editor. When Beard's year in jail ends, he again refuses to pay his fine. The frustrated sheriff and jailer come up with a unique solution, one that's sure to surprise readers as much as Beard. It's based on a true story; Hyatt includes a generous historical note. The compression demanded by the picture-book form is felt in Hyatt's prose, but she cleanly lays out a morality tale that could prompt a healthy civics lesson. Brown's arch illustrations, in watercolor with pen and ink, nicely capture 19th-century New England. This will do until a full Beard Palmer YA novel comes along. (Picture book. 6-9)

Pub Date: May 1, 2011

ISBN: 978-0-8109-4065-9

Page Count: 32

Publisher: Abrams

Review Posted Online: April 3, 2011

Kirkus Reviews Issue: April 1, 2011

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LONG, TALL LINCOLN

A succinct, edifying read, but don’t buy it for the pictures.

Abraham Lincoln’s ascent to the presidency is recounted in a fluid, easy-to-read biography for early readers.

Simple, direct sentences stress Lincoln’s humble upbringing, his honesty, and his devotion to acting with moral conviction. “Lincoln didn’t seem like a man who would be president one day. But he studied hard and became a lawyer. He cared about people and about justice.” Slavery and Lincoln’s signature achievement of emancipation are explained in broad yet defined, understandable analogies. “At that time, in the South, the law let white people own black people, just as they owned a house or a horse.” Readers are clearly given the president’s perspective through some documented memorable quotes from his own letters. “Lincoln did not like slavery. ‘If slavery is not wrong,’ he wrote to a friend ‘nothing is wrong.’ ” (The text does not clarify that this letter was written in 1865 and not before he ascended to the presidency, as implied by the book.) As the war goes on and Lincoln makes his decision to free the slaves in the “Southern states”—“a bold move”—Lincoln’s own words describe his thinking: “ ‘If my name ever goes into history,’ Lincoln said, ‘it will be for this act.’ ” A very basic timeline, which mentions the assassination unaddressed in the text, is followed by backmatter providing photographs, slightly more detailed historical information, and legacy. It’s a pity that the text is accompanied by unremarkable, rudimentary opaque paintings.

A succinct, edifying read, but don’t buy it for the pictures. (Informational early reader. 6-8)

Pub Date: June 20, 2017

ISBN: 978-0-06-243256-8

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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26 FAIRMOUNT AVENUE

            The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences.  Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938.  Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’  I asked.  ‘Oh, we don’t learn how to read in kindergarten.  We learn to read next year, in first grade.’  ‘Fine,’ I said.  ‘I’ll be back next year.’  And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows.  Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well.  (Autobiography.  7-9)

Pub Date: April 1, 1999

ISBN: 0-399-23246-X

Page Count: 58

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1999

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