Though they're best friends, Sarah Bell and Penny May often quarrel. On the day in question, a combination of wonderfully believable accidents, insults, and hurt feelings leaves Penny up the tree in Sarah's yard, refusing to come down until Sarah apologizes. Some gentle escalation ensues: the Mums intervene, each scolding her own child but sympathetic to the other; the Dads get involved, and firemen are called—all to no avail. It's Sarah who gets Penny down at last, as the two make a new alliance and announce a sleepover. "I thought you were having a fight," says Mrs. Bell, to which Sarah replies, "It was our fight." The parents' response is bemused but benevolent (followed by some firm rules for next time); parting next morning, the girls are ready (well, almost) to joke about yesterday's tiff. In b&w illustrations (on almost every page) with a lively style reminiscent of Quentin Blake's, Cox catches the nuances in every stance and expression. A funny, easily read story that's also generous, true to life, and (like Wrightson's novels for older children) beautifully written. Pair this one with Steig's Spinky Sulks (1988). (Fiction/Young reader. 7-10)
Pub Date: April 1, 1992
ISBN: 0141306912
Page Count: 64
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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