The 1985-86 Norton Lectures were Calvino's to deliver; the day before he was to leave Italy for Cambridge, he died. But the essays (though the sixth "memo" was never written down) were substantially finished, and his widow has done the job of preparation. Calvino here deals with the exemplars of literature most clear to him—namely: Lightness, Quickness, Exactitude, Visibility, Multiplicity (Consistency was to be the sixth). To illustrate each, Calvino devotes much time to long illustrations from Ovid, Gadda, Dante, Leopardi, Musil, Kafka, Borges. These analyses are surprisingly academic in tone; they lack some of the buoyancy of Calvino's essays, sometimes seeming like Jungian seminars; they do not particularly take wing. But elegant genius that he was, Calvino—if not rigorous, and certainly often contradictory—offers much here. In discussing the virtue of lightness, for example, Calvino's background in folk tales allows him to find a defined anthropological link "between the levitation desired and the privation actually suffered." He discusses his own work as a crystalline substance and acknowledges a debt to comic strips for a visual matrix that he admits begins all his works. This, of course, is what's of most interest here—not Calvino the lecturer but Calvino the author, nodding at sources. Less gorgeous than one might have expected, but uniformally thoughtful.
Pub Date: March 1, 1988
ISBN: 0674810406
Page Count: 148
Publisher: Harvard Univ.
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Feb. 15, 1988
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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