Marvelously exemplifies the diversity of American holiday traditions and offers a more nuanced understanding of Thanksgiving.
This table has room for everyone.
Keenly aware that Thanksgiving is often associated with inaccurate portrayals of Indigenous peoples, Hulse and Goodnight (Chickasaw Nation) have created a loving, inclusive depiction of the holiday. Spare yet lyrical verse invites readers to take a seat at a table alongside a diverse group of characters who eat, ponder, and express gratitude for all they’ve been given. Hulse employs sensory-rich imagery to describe the autumnal season (“a fresh tablecloth, / crisp and gold like this day”), the various mouthwatering foods, and those who work tirelessly at planting and harvesting to make the Thanksgiving meal possible. The repeated phrase “At our table there is room” allows readers to linger on small details that make the holiday special (“swapping stories, / second helpings, and favorite jokes”). Hulse and Goodnight also emphasize respect and honor for Indigenous peoples. In one illustration, a group of people reverently stand before a statue of beloved Wampanoag chief Ousamequin, while Hulse speaks of the importance of making “room to learn from / the first farmers / and builders / and knowledge-gatherers.” Goodnight’s visuals turn solemn and stately here, though in general her images brim with warmth, suffused with an inner glow. Hope and thankfulness resonate throughout as loved ones eat, laugh, share stories, and create lasting memories.
Marvelously exemplifies the diversity of American holiday traditions and offers a more nuanced understanding of Thanksgiving. (author’s and illustrator’s notes) (Picture book. 4-8)Pub Date: Oct. 8, 2024
ISBN: 9780316537056
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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