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GUINEA DOG

A humorous story about an unusual pet. Rufus has but one wish—a dog. His stay-at-home Dad does not agree. His list of reasons not to get a dog extends over two pages. Rufus’s sympathetic mom brings home a guinea pig, which Rufus has expressly said he does not want. To his surprise, though, the guinea pig (which he sullenly names Fido) behaves like a dog! She obeys every command Rufus gives her, plays tug-o’-war and even chews shoes. His best friend wishes she were his when, during a Frisbee game, out of nowhere, she retrieves the disc and brings it to Rufus. The family decides to return Fido to the pet store, but a classmate is willing to buy her to replace her hamster—and it’s then that Rufus begins to have second thoughts. Jennings provides no explanation as to why Fido acts like a dog, asking readers to accept the absurdity along with Rufus. The school characters are fairly one dimensional, but the undeniably funny plot moves along, and readers into beginning chapter books should enjoy this wry story of wish fulfillment. (Animal fantasy. 7-9)

Pub Date: April 13, 2010

ISBN: 978-1-60684-053-5

Page Count: 192

Publisher: Egmont USA

Review Posted Online: Dec. 24, 2010

Kirkus Reviews Issue: March 15, 2010

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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TWENTY-ONE ELEPHANTS AND STILL STANDING

Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)

Pub Date: Sept. 26, 2005

ISBN: 0-618-44887-X

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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