This book’s advent comes too closely to North Minneapolis’ recent and long-term misfortunes created from poverty, high...
Once again, the Bard provides the framework for tragically misunderstood young love—but must he?
This time, Jones (Freedom Flight, 2015) renders his take on Romeo and Juliet in very real North Minneapolis, the neighborhood known nationally for the #justice4jamar protests held in the city over one of the latest victims of police brutality, Jamar Clark. The novel’s Romeo is Rodney, a young African-American man returning to Northeast High after a stint in juvenile detention. Juliet is Jawahir, a ninth-grade Somali teen whom Rodney rescues during a vicious cafeteria fight between “the descendants of slaves [and] the offspring of Somali war refugees.” While the school’s white female principal, sarcastically nicknamed “Ally,” upholds Rodney’s rescue of Jawahir and their relationship as a can’t-we-all-just-get-along moment in the midst of the internecine intraracial conflict that extends beyond the school’s walls, Rodney and Jawahir just want to see each again and, ultimately, consummate their love. And, if readers are familiar with the classic play, they’ll know how their love ends. Jones veers too closely to creating Minneapolis' Somali community as Muslim stereotypes of the brutal men oppressing their women, as Jawahir's father and promised betrothed, Farhan, are written. Three other titles in the Unbarred series—Duty or Desire (Antony and Cleopatra), Fight or Flee (Hamlet), and Friend or Foe (Othello)—publish simultaneously.
This book’s advent comes too closely to North Minneapolis’ recent and long-term misfortunes created from poverty, high unemployment, gentrification—and, yes, police brutality—to warrant a fictional tragedy, even if it’s based on a classic one. (Fiction. 12-16)Pub Date: March 1, 2016
ISBN: 978-1-5124-0091-5
Page Count: 120
Publisher: Darby Creek
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play.
Garber returns to the world of bestseller Caraval (2017), this time with the focus on younger, more daring sister Donatella.
Valenda, capital of the empire, is host to the second of Legend’s magical games in a single year, and while Scarlett doesn’t want to play again, blonde Tella is eager for a chance to prove herself. She is haunted by the memory of her death in the last game and by the cursed Deck of Destiny she used as a child which foretold her loveless future. Garber has changed many of the rules of her expanding world, which now appears to be infused with magic and evil Fates. Despite a weak plot and ultraviolet prose (“He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.”), this is a tour de force of imagination. Themes of love, betrayal, and the price of magic (and desire) swirl like Caraval’s enchantments, and Dante’s sensuous kisses will thrill readers as much as they do Tella. The convoluted machinations of the Prince of Hearts (one of the Fates), Legend, and even the empress serve as the impetus for Tella’s story and set up future volumes which promise to go bigger. With descriptions focusing primarily on clothing, characters’ ethnicities are often indeterminate.
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play. (glossary) (Fantasy. 12-16)Pub Date: May 29, 2018
ISBN: 978-1-250-09531-2
Page Count: 464
Publisher: Flatiron Books
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Heartbreaking, historical, and a little bit hopeful.
January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.
Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.
Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)Pub Date: Feb. 2, 2016
ISBN: 978-0-399-16030-1
Page Count: 400
Publisher: Philomel
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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