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ABDUCTING A GENERAL

THE KREIPE OPERATION IN CRETE

Though the kidnapping may have been unnecessary, Fermor loved adventure, and he recounts this one with heady enthusiasm.

The great travel writer recalls a daring mission during World War II.

In 1944, working as a British intelligence officer in Crete, Fermor (1915-2011) conceived a plan to kidnap a German general and spirit him away to Egypt for trial as a war criminal. The escapade, he was convinced, would demoralize the Nazi occupiers and raise the spirits of Crete’s resistance fighters. Fermor set his sights on Friedrich-Wilhelm Müller, “The Butcher of Crete,” but when Müller was transferred, he chose Heinrich Kreipe, a career soldier who, the author later discovered, was so disliked that the kidnapping was celebrated with champagne in the officers’ mess. The adventure was first chronicled by Fermor’s comrade Billy Moss, whose account, published in 1950, later was made into a movie. More than 15 years later, Fermor decided to write his own version, drawing on war reports he sent to the Special Operations Executive headquarters. Excerpts (comprising about a third of the reports) append the text, as does a guide to the abduction route for military history fans who want to put on sturdy walking boots and follow the rough terrain. By 1966, Fermor was a much-published and praised writer, and his talents certainly are evident in this colorfully rendered tale. The actual kidnapping took little more than a minute, during which the perpetrators stopped the general’s vehicle, pulled the officer out roughly, bound and manacled him, knocked out his driver, and erupted in a “delirious excess of cheers, hugs, slaps on the back.” Transporting their quarry across the island to the sea was more arduous and perilous, involving trekking across snow-covered mountains, hiding in caves, and eluding the enemy. Military historian Roderick Bailey (Target: Italy: The Secret War against Mussolini, 2014, etc.), who provides the foreword, reports coolly that the kidnapping was unnecessary: German morale was already low, and the war had turned in the Allies’ favor.

Though the kidnapping may have been unnecessary, Fermor loved adventure, and he recounts this one with heady enthusiasm.

Pub Date: Nov. 3, 2015

ISBN: 978-1-59017-938-3

Page Count: 240

Publisher: New York Review Books

Review Posted Online: Sept. 2, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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