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FUNNY MAN

MEL BROOKS

In response to a negative review, Brooks wanted to tell the critic, “I meant no harm. I only wanted to entertain you.”...

A biography of America’s “self-proclaimed emperor of bad taste.”

McGilligan’s (Young Orson: The Years of Luck and Genius on the Path to Citizen Kane, 2015, etc.) hefty tome about Mel Brooks (b. 1928), the director of Blazing Saddles and Young Frankenstein, isn’t exactly a hagiography. The author ably chronicles Brooks’ career arc from the Brooklyn kid born Melvin Kaminsky to the loudest member of Sid Caesar’s writing staff on NBC’s Your Show of Shows and Caesar’s Hour in the 1950s to the driving force behind some of the most successful film comedies of his time—and the crassest, with their many fart, rape, and “fag” jokes. McGilligan also shows the ugly side of Brooks: the hard-driving businessman who berated actors when he didn’t like a performance, the disputes over writing credits that led to multiple litigations. Much of this material has been documented elsewhere—such as the story of Caesar dangling a young Brooks out a hotel window when Brooks wanted to go out for the evening (“Is that far enough?” Caesar shouted)—which makes the book overlong. In the second half, the author gets bogged down in the minutiae of Brooks' business deals, and the prose is occasionally peculiar or old-fashioned. For example, McGilligan repeatedly refers to Brooks’ first wife, Florence Baum, only as “Mrs. Brooks”; he does the same thing a couple of times with his second wife, Anne Bancroft, a far more famous figure than Baum. These choices are emblematic of the troubling tendency to represent women in biographies only in relation to the men in their lives. Nonetheless, McGilligan does a nice job dramatizing the insecurities that drove Brooks and offers entertaining anecdotes about Gene Wilder, Madeline Kahn, and Brooks’ other collaborators, who didn’t always speak favorably of him.

In response to a negative review, Brooks wanted to tell the critic, “I meant no harm. I only wanted to entertain you.” Readers can decide for themselves whether the Brooks who emerges in these well-researched yet sometimes-tiresome pages caused more joy than harm.

Pub Date: March 19, 2019

ISBN: 978-0-06-256099-5

Page Count: 656

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 21, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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