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THE BLACK NOTEBOOK

An atmospheric, smoky, sepia-toned whodunit, though more for fans of Camus than Chandler.

“Around us, you’re in danger of catching leprosy”: French Nobel Prize winner Modiano (Villa Triste, 2016, etc.) explores the criminal demimonde in a short but potent novel that’s as elegant as Claude Rains and as sinister as Peter Lorre.

An aspiring writer. A young woman with a mysterious past. An older man with nice clothes. The setup is classic Modiano, reminiscent of earlier works such as In the Café of Lost Youth. Originally published in French in 2012, five years after that predecessor volume, this novel turns on familiar elements. Jean, just beginning his career as a writer, carries a little notebook at all times, with jottings that occasionally intimate literature but more often serve as reminders of people he’s met and dates he has to keep, most notably with Dannie, a waiflike young woman whose every breath carries hints of dark secrets and the memory of a particular “nasty incident” about whose nature Jean can only guess. Is Dannie just light-fingered or with a finger on the trigger? It doesn’t help that the man called Aghamouri, who haunts hotels staffed by whispering Maghrebians and wears a beautiful camel coat, drops hints that give Jean the willies or that a police detective doesn’t bother to hide his professional interest in Dannie and her associates. Why does Dannie have access to a country estate? Why doesn’t Aghamouri ever have dinner with his wife? And, if he’s 30 years old and has a wife, what’s he doing hanging around college, apart from keeping an eye on Dannie, whom the world has nothing left to teach? The questions mount. It’s good that American publishers are catching up to Modiano’s recent works, having mined his output from the 1970s and beyond, but it’s a touch curious that this late-period Modiano seems bound up in old formulas, like a more literary but no more cheerful Simenon.

An atmospheric, smoky, sepia-toned whodunit, though more for fans of Camus than Chandler.

Pub Date: Sept. 27, 2016

ISBN: 978-0-544-77982-2

Page Count: 144

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: July 2, 2016

Kirkus Reviews Issue: July 15, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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