Quiet but powerful; fans of Modiano’s smoky, humid postwar world will enjoy this slowly unfolding mystery.
Modiano’s transitional novel, first published in 1981, that marked an end to literary experimentation in favor of his largely unadorned though deeply atmospheric style.
Modiano’s novel opens on an uncharacteristically idyllic note, although, as with his other work, it immediately turns in search of a moment of lost time. Odile and Louis are just about to turn 35, and now, as she gazes out at her children playing on the alpine lakefront lawn, Odile is feeling the pangs of fading youth. “Does life ever start over at thirty-five?” she wonders. “She had the feeling that the answer was No. You reach a zone of total calm and the pedal-boat glides all by itself across a lake like the one stretching out before her.” Rewind 15-odd years, to the end of the war, and Odile and Louis, still teenagers, are innocents caught up in a much different world and a much different demimonde. Fresh out of the army, Louis meets a shadowy fellow, Brossier, who wears a feather-festooned Tyrolean hat, perhaps not the best of disguises, and says he’s in the car business. Just what it is that he does isn’t ever quite clear, but he enlists Louis in the enterprise and fills his pockets with money, even as Odile is struggling to make it as a chanteuse in a world that still has Edith Piaf. Brossier has big plans for Louis, though always of a vague sort, and shifting duties: “Now, when I say ‘night watchman,’ ” he says of one job possibility, “in fact it’s more of a job as a…secretary….” Only gradually does Louis become uneasy about the ill-defined nature of his duties as compared to his large pay packet, but he's too much the naif to recognize what the knowing reader will—namely, that a postcard bearing Guy Burgess’ signature puts us into different territory altogether, lending Modiano’s matter-of-fact mood study a dangerous dimension.
Quiet but powerful; fans of Modiano’s smoky, humid postwar world will enjoy this slowly unfolding mystery.Pub Date: March 8, 2016
ISBN: 978-1-59017-955-0
Page Count: 176
Publisher: New York Review Books
Review Posted Online: Dec. 20, 2015
Kirkus Reviews Issue: Jan. 1, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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