Lively, true to history and a pleasure for period buffs.
Everybody loves a winner. Lose your throne to the combined armies of Europe, though, and it’s a different story.
Prix Goncourt winner Rambaud continues his epic study of Napoleon Bonaparte (The Battle, 2000; The Retreat, 2004) with the events of 1814, which find the world conqueror in dire straits. To the south stands Wellington’s army, “swollen by elite Spanish and Portuguese troops”; to the east and north are Russians, Swedes, Poles, Austrians, Prussians and Netherlanders, all mightily ticked off; back in Paris, the monarchists are dusting off their fleurs-de-lis, even though, as one provocateur admits, “Everyone has forgotten the Bourbons.” There are some rotten apples lurking in the Tuileries, such as Talleyrand (“prince of intrigue”), but Napoleon is the big prize. Rambaud draws sharply detailed portraits of the actors in his well-paced historical drama, which attains moments worthy of Hugo, as when a crowd of boulevardiers and solid citizens gathers to greet the allies: “We’ve been waiting so long for this liberation,” says an excited young noblewoman, which earns the rebuke, “Of course we have, Zoe, but a countess doesn’t hop up and down.” Finally caught, Napoleon is hustled off to a presumptively shameful exile off the Italian coast, where he stuffs himself with chicken dumplings and wine and plans great things, mostly in the nature of remodeling the house (“Ah, Pons!” he exclaims. “See how busy my mind is, spending money that I haven’t got”). The Bonaparte who emerges from Rambaud’s pages is a likable fellow, fond of practical jokes. But he’s too driven to stay put, and in no time, he’s organized agricultural reforms (so that the island of Elba no longer has to import wheat), recruited an army and worked his way back to the mainland to do his special mischief—a matter, we imagine, that Rambaud will take up in his next book.
Lively, true to history and a pleasure for period buffs.Pub Date: June 9, 2006
ISBN: 0-8021-1826-7
Page Count: 352
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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