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HAND TO MOUTH

A CHRONICLE OF EARLY FAILURE

Artistic failure, financial woes, and broken love are the subjects of Auster's wide-ranging philosophical memoir, a candid assessment of the demands and rewards of art, work, and money. Auster's (Mr. Vertigo, 1994; Leviathan, 1992; etc.) success provides an ironic subtext to this catalog of misery: The author of 14 books of fiction, poetry, essays, screenplays, and translations laughs last, since this putative chronicle of failure includes work that originally lacked an audience. That material, presented in three appendixes, includes a trio of one-act plays (one of which, Laurel and Hardy Go to Heaven, isn't bad); Action Baseball, a nifty game complete with cut-out playing cards that failed as a desperate get-rich-quick scheme; and Squeeze Play, a thinking man's mystery featuring a wise-cracking Ivy League gumshoe. All provide interesting footnotes to Auster's development as a novelist. The main attraction, though, is the long title essay, a bare-knuckles grapple with the choices he made during a rocky literary apprenticeship. The central problem, Auster writes, "was that I had no interest in leading a double life" like writers who "earn good money at legitimate professions" and write in their spare time. He took the old-fashioned approach, eschewing MFA programs (both as a student and teacher) to earn his chops in the school of hard knocks. He shipped out with the merchant marine, explored France and Ireland, won a few minor grants. But despite help from friends like Mary McCarthy (whose influence led to a memorable freelance gig translating a new Vietnamese constitution in 1973), Auster spent years of penury doing "literary hackwork" while his fiction went nowhere and his marriage foundered. Even an attempt to sell out ended with his publisher kaput and a detective novel languishing in a warehouse. Risk and failure—common themes in Auster's work—gain real-life urgency as autobiography. Required, inspiring reading for Auster-holics and aspiring writers.

Pub Date: Sept. 1, 1997

ISBN: 0-8050-5406-5

Page Count: 368

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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