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SECRET SOLDIERS

HOW THE U.S. TWENTY-THIRD SPECIAL TROOPS FOOLED THE NAZIS

Save this one for only the most dedicated of World War II buffs.

During World War II, the U.S. 23rd Headquarters Special Troops was created to launch a series of operations to deceive the Germans.

Artists, actors, telegraphers, set designers, engineers, and sound technicians were recruited for this secret unit—an atypical group of soldiers. By using prerecorded sounds of moving tanks, staging false camps with inflatable tanks and artillery, driving around the countryside wearing fake unit patches, and feeding locals false information, the men of the 23rd may have influenced the course of the war. Although the information presented is accurate and generally interesting, the structure of this effort is unsatisfactory. Numerous pageslong supplemental sections (printed on darkened pages and in a sans-serif type) provide additional information on topics introduced in the narrative, but these sections confusingly interrupt the story, sometimes midsentence, and too often come before the topics are introduced. Other additional sections provide brief biographies of some members of the 23rd, sometimes long before or after they’re mentioned in the story. Additionally, each operation performed by the unit is described in repetitive detail, reporting over and over the use of uniform unit patches and unit designations on vehicles. Backmatter, however, is ample and detailed, including extensive source notes, a bibliography, image credits, and an index (the latter two not seen).

Save this one for only the most dedicated of World War II buffs. (Nonfiction. 11-18)

Pub Date: April 23, 2019

ISBN: 978-0-7636-8153-1

Page Count: 304

Publisher: Candlewick

Review Posted Online: March 2, 2019

Kirkus Reviews Issue: March 15, 2019

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A QUEER HISTORY OF THE UNITED STATES FOR YOUNG PEOPLE

Though not the most balanced, an enlightening look back for the queer future.

An adaptation for teens of the adult title A Queer History of the United States (2011).

Divided into thematic sections, the text filters LGBTQIA+ history through key figures in each era from the 1500s to the present. Alongside watershed moments like the 1969 Stonewall uprising and the HIV/AIDS crisis of the 1980s and 1990s, the text brings to light less well-known people, places, and events: the 1625 free love colony of Merrymount, transgender Civil War hero Albert D.J. Cashier, and the 1951 founding of the Mattachine Society, to name a few. Throughout, the author and adapter take care to use accurate pronouns and avoid imposing contemporary terminology onto historical figures. In some cases, they quote primary sources to speculate about same-sex relationships while also reminding readers of past cultural differences in expressing strong affection between friends. Black-and-white illustrations or photos augment each chapter. Though it lacks the teen appeal and personable, conversational style of Sarah Prager’s Queer, There, and Everywhere (2017), this textbook-level survey contains a surprising amount of depth. However, the mention of transgender movements and activism—in particular, contemporary issues—runs on the slim side. Whereas chapters are devoted to over 30 ethnically diverse gay, lesbian, bisexual, or queer figures, some trans pioneers such as Christine Jorgensen and Holly Woodlawn are reduced to short sidebars.

Though not the most balanced, an enlightening look back for the queer future. (glossary, photo credits, bibliography, index) (Nonfiction. 14-18)

Pub Date: June 11, 2019

ISBN: 978-0-8070-5612-7

Page Count: 336

Publisher: Beacon Press

Review Posted Online: March 12, 2019

Kirkus Reviews Issue: April 15, 2019

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A LITTLE HISTORY OF THE WORLD

Conversational, sometimes playful—not the sort of book that would survive vetting by school-system censors these days, but a...

A lovely, lively historical survey that takes in Neanderthals, Hohenzollerns and just about everything in between.

In 1935, Viennese publisher Walter Neurath approached Gombrich, who would go on to write the canonical, bestselling Story of Art, to translate a history textbook for young readers. Gombrich volunteered that he could do better than the authors, and Neurath accepted the challenge, provided that a completed manuscript was on his desk in six weeks. This book, available in English for the first time, is the happy result. Gombrich is an engaging narrator whose explanations are charming if sometimes vague. (Take the kid-friendly definition of truffles: “Truffles,” he says, “are a very rare and special sort of mushroom.” End of lesson.) Among the subjects covered are Julius Caesar (who, Gombrich exults, was able to dictate two letters simultaneously without getting confused), Charlemagne, the American Civil War, Karl Marx, the Paris Commune and Kaiser Wilhelm. As he does, he offers mostly gentle but pointed moralizing about the past, observing, for instance, that the Spanish conquest of Mexico required courage and cunning but was “so appalling, and so shaming to us Europeans that I would rather not say anything more about it,” and urging his young readers to consider that perhaps not all factory owners were as vile as Marx portrayed them to be, even though the good owners “against their conscience and their natural instincts, often found themselves treating their workers in the same way”—which is to say, badly.

Conversational, sometimes playful—not the sort of book that would survive vetting by school-system censors these days, but a fine conception and summarizing of the world’s checkered past for young and old.

Pub Date: Oct. 11, 2005

ISBN: 0-300-10883-4

Page Count: 320

Publisher: Yale Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2005

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