ON THE LINE

A middle school basketball player enters a season of strife off the court.

Star power forward Jordan Ryker feels more at home on the basketball court than anywhere else. His parents fight constantly about everything, but especially money with the imminent shutdown of the local automotive plant where his dad works. After every argument, his mom vents her feelings to him, while his ever calm father drives off in his rebuilt ’69 Camaro. At least Jordan can count on Junior, his best friend. When Jordan’s parents announce their separation, even basketball season can’t distract him from his overwhelming home life. Complicating his feelings further, he learns his dad is gay and dating a man. Through Jordan’s first-person point of view, the women and girls in the story are portrayed one dimensionally as highly emotional, an outspoken feminist who doesn’t fit in with other girls, and an attention-seeking flirt. Aspects of Junior’s identity only reveal themselves to serve as sources of conflict. Basketball action plays second string to interpersonal drama, most of which comes as a consequence of Jordan’s father’s coming out. Although Jordan does experience character growth, it happens all at once in a sudden transformation before the resolution. The book follows a White default; Junior is described as half Filipino (the rest of his parentage is not specified).

A relationship-driven story let down by limited characterization.