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THE CLASS WITH WINGS

A visually stirring guide to empathizing with the natural world.

Led by their teacher, budding birders imagine their lives as veeries.

When Ms. Lee turns off the lights and starts playing rainforest sounds, her students know it’s time to fly into their imaginations. In vibrantly hued scenes, honey-colored veeries—“Sort of like robins but smaller”—flit over the dark shadowy blue of the classroom. Ms. Lee sets the scene, describing the birds’ eating and migration habits. Bright, saturated images of the birds contrast with faded depictions of the schoolchildren. In one spread, the young, Black-presenting narrator holds out an arm, which becomes a multicolored wing. As the students follow the veeries’ migration from Brazil to the United States and Canada, they learn that deforestation, dogs, and lit windows all pose dangers. The children draw parallels between themselves and the birds. Just as veeries fall prey to raptors, kids are vulnerable to bullies. One youngster begins wondering about a relative’s immigrant journey—was it as perilous as a veerie’s travels? Matter-of-fact text pairs well with dreamy illustrations that illuminate the students’ thoughts as effectively as the “bird river” they’re imagining. In the final spread, the narrator comes face to face with a real bird, and the two share a curious moment: “I think it knows I’m a veery, too.” Ms. Lee presents Asian; her students are diverse.

A visually stirring guide to empathizing with the natural world. (further reading, facts about birds) (Picture book. 5-9)

Pub Date: Oct. 8, 2024

ISBN: 9781949480436

Page Count: 40

Publisher: Cameron Kids

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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